tag:blogger.com,1999:blog-8194040470768675442023-12-15T02:09:59.544-08:00The Closet Concert ArenaAlways searching for new prog while appreciating those who forged the genreCloset Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.comBlogger295125tag:blogger.com,1999:blog-819404047076867544.post-58013088448360408782022-01-21T12:28:00.000-08:002022-01-21T12:28:06.028-08:00Goodbye Norma Lucille<p> </p><p class="MsoNormal">I first met Norma in 1984 when I started dating my now wife
Tina.<span style="mso-spacerun: yes;"> </span>In all that time I came to know
her as a woman of grace, elegance, pride, and determination.<span style="mso-spacerun: yes;"> </span>Above all, Norma was a woman who was
extremely confident in her own skin and knew exactly where she stood—right with her family.</p>
<p class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Norma was so much
more than just my mother-in-law…she was elegance and grace personified.<span style="mso-spacerun: yes;"> </span>Norma loved all of her kids with an
unconditional intensity—and their kids—and their kids (one great granddaughter
rounds out the family tree at present).<span style="mso-spacerun: yes;">
</span>She was friendly, polite, and courteous whether she was meeting you for
the first time or knew you all her life.<span style="mso-spacerun: yes;">
</span>Norma was also the best apple pie baker I ever met (and I know people
who have competed in the Culinary Olympics).<span style="mso-spacerun: yes;">
</span>She wasn’t limited to pie either—her date squares were a Christmas treat
I looked forward to every year, right up there with my Nonnie’s anisette
cookies.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNormal">Norma was my biggest fan when I wrote my music blog, and
would have a critique of the music I posted each week whenever we spoke.<span style="mso-spacerun: yes;"> </span>Being a piano and organ player, she especially
enjoyed when I wrote about keyboard players.<span style="mso-spacerun: yes;">
</span>When I interviewed Jordan Rudess from Dream Theater, she commented not
only about how good his music was, she noticed that he “held his hands
properly” and she could tell he was “properly trained and must have been a very
good student when he was young.”<span style="mso-spacerun: yes;"> </span>I
always enjoyed listening to Norma’s playing…I can only hope she knew the
comfort and solace her playing gave me.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNormal">I mentioned the love she had for her kids, but there was
also a fierce motherly protection and a determination to see them all succeed
at whatever they chose to do.<span style="mso-spacerun: yes;"> </span>I was
there to witness firsthand the heartbreak when she lost her eldest son Rob to pancreatic
cancer in 2016.<span style="mso-spacerun: yes;"> </span>A mother’s pain never
heals…yet Norma found the inner strength to carry on. </p>
<p class="MsoNormal">One of Norma’s true gifts was to make you feel like you were
the most important person in the world to her at that moment.<span style="mso-spacerun: yes;"> </span>Norma would know a stranger’s life story
within ten minutes of meeting them, and she would remember all the
details—kids’ names, birthdays, weddings, anniversary dates, even where they
grew up…and she would re-count it the next time they met.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNormal">Norma’s relationship with her husband Ernie was something to
behold.<span style="mso-spacerun: yes;"> </span>My wife Tina and I were helping
them with meals and basic household chores lately (as it got difficult for
them) so we would stop by each night.<span style="mso-spacerun: yes;"> </span>If
they weren’t arguing about something silly (and then making up), they were
watching TV together.<span style="mso-spacerun: yes;"> </span>I sincerely hope
and pray that 65 years in Tina and I have as strong a bond as those two had.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNormal">I will always remember the night of December 29<sup>th</sup>
2021; Ernie was being taken to the hospital via ambulance (he tested
positive for COVID).<span style="mso-spacerun: yes;"> </span>Norma got up from her
chair and walked with determination to the kitchen, standing next to the range
holding onto her walker.<span style="mso-spacerun: yes;"> </span>I stood next to
her, and asked if she wanted a chair.<span style="mso-spacerun: yes;">
</span>With a steady voice and eyes welling up she said, “I’m going to stand
right here.”<span style="mso-spacerun: yes;"> </span>She never took her eyes off
the doorway, waiting for Ernie to come out.<span style="mso-spacerun: yes;">
</span>When he did she said, “I love you Ernie.”<span style="mso-spacerun: yes;"> </span>He responded, “I love you too, kid.”<span style="mso-spacerun: yes;"> </span>I was bawling on the inside…<span style="mso-spacerun: yes;"> </span>No one knew for sure then, but that was the
last time they saw each other in this life…Norma also contracted COVID and
succumbed on January 3<sup>rd</sup>, 2022.</p>
<p class="MsoNormal">There aren’t many people I can honestly say I admire, but
Norma is definitely on that list.<span style="mso-spacerun: yes;"> </span>Norma
taught me that being parent is indeed the toughest job you will ever love.<span style="mso-spacerun: yes;"> </span>You reason with two-year olds, make decisions
you never thought you would have to, and shine the spotlight on every
accomplishment they achieve.<span style="mso-spacerun: yes;"> </span>You cry
when they cry, you laugh when they laugh—and you’re always there as a shoulder,
an ear, or just a hand.<span style="mso-spacerun: yes;"> </span>Norma showed me
what love really is…the world needs more people like her—and I’m so grateful
that God allowed my path to cross hers.<span style="mso-spacerun: yes;">
</span>I am the one that was blessed. </p>
<p class="MsoNormal">Goodbye Norma Lucille Rawling Malo, a more perfect
mother-in-law God has not graced the planet with.<span style="mso-spacerun: yes;"> </span></p><p class="MsoNormal"><span style="mso-spacerun: yes;"><br /></span></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/LZWr4AR5NFc" width="320" youtube-src-id="LZWr4AR5NFc"></iframe></div><br /><span style="mso-spacerun: yes;"><br /></span><p></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><span style="mso-spacerun: yes;"><br /></span></p>Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com1tag:blogger.com,1999:blog-819404047076867544.post-42236424265698046562021-02-16T13:46:00.000-08:002021-02-16T13:46:19.986-08:00Pure Reason Revolution "The Dark Third"<p> Welcome back to the Concert Closet fellow progheads! Been away far too long, miss being submerged in all things prog; the music, the banter, the artistry--but most of all the music. I have been going through so much new music trying to decide on where to start the search for all things prog in 2021...and then I read about a band that Rick Wakeman gave props too, so I began to pipe <b>Pure Reason Revolution</b> through my headphones. If "The Master" likes them then I can certainly be open to an afternoon of listening pleasure. Take it from Rick--this band does not disappoint. Please allow me to elaborate as the journey across the prog garden 2021 begins...</p><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidFSFhh4D0dBJI5JV8mfxqpeqOQ8D4N4gnv7qBXPShKo4Jp416e4Rl_idvCwnNsSf941mpN1TqrFGg8LJEsYTQ0qjl5UkkRSfKeAtQamqUwsWPzlmKQ3RKxAQeTOwGFm6K2Buqr5WUmvg/s225/PRR.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="225" data-original-width="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidFSFhh4D0dBJI5JV8mfxqpeqOQ8D4N4gnv7qBXPShKo4Jp416e4Rl_idvCwnNsSf941mpN1TqrFGg8LJEsYTQ0qjl5UkkRSfKeAtQamqUwsWPzlmKQ3RKxAQeTOwGFm6K2Buqr5WUmvg/s0/PRR.png" /></a></div><br /><p><br /></p><p>"The Dark Third" was actually the 2006 debut from <b>Pure Reason Revolution</b>; it has been remastered and released on Inside Out Records recently and I thought since I am re-starting the search for all things prog, this would be the perfect starting point...you know; a new start for an old classic...anyway, let's get to it...</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghyOkVDUiNdILmEBkxkDrDo7sIDE3-WjHOWg_ZCVSrCvdq67iNFjb2J5UwkXE36LTMXSl7nc2HdhEjiCXyjAXq9za9tLA_DEy-WSgrsW8PwaIVmAbnS1QhMGnK0IuNJ1nehiOcW4wMvaM/s225/PRR++III.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="225" data-original-width="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghyOkVDUiNdILmEBkxkDrDo7sIDE3-WjHOWg_ZCVSrCvdq67iNFjb2J5UwkXE36LTMXSl7nc2HdhEjiCXyjAXq9za9tLA_DEy-WSgrsW8PwaIVmAbnS1QhMGnK0IuNJ1nehiOcW4wMvaM/s0/PRR++III.jpg" /></a></div><p>The first song to grace the Concert Closet is "Apprentice of the Universe." The interstellar lead-in is a nice touch; the guitars continuing the "float through space" mood and tempo expand your mind, opening up new tributaries of sound and imagination. Vocals penetrate softly like water droplets rolling off rose petals after a summer shower...this piece surrounds you and flows right through your being.</p><p>Next up is "Voices in Winter/In the Realms of the Divine" and once again the Concert Closet is enveloped in a deep-space darkness that is all at once soothing and pulse raising. The mood picks up from a dark <b>The Pineapple Thief</b> brooding to a sleek <b>Alan Parsons Project</b> orchestral outburst; frighteningly smooth but oh so alluring...</p><p><b>Liner Notes</b>...<b>Pure Reason Revolution</b> hails from the UK, formed originally in 2003 by Chloe Alper and Jon Courtney while the two were attending the University of Westminster. Their sound resonates within the astral section of the prog garden with Chloe on vocals, bass, and keyboards, and Jon also on vocals and keyboards while handling guitar duties. Other members of the band through time have included Jon's brother Andrew, Greg Jong, Jim Dobson, Paul Glover, and Jamie Willcox. </p><p>With six previous albums, EP's, and live recordings on their resume, <b>Pure Reason Revolution </b>has established solid footing in the prog garden. With a sound reminiscent of <b>Alcantara</b> and <b>Lonely Robot</b>, music flows through the headphones like the pulsing mass in your old lava lamp.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUPvZI48BNIv_jkmN5Ox0hLk8KeFYj_wZVva6hEn8__LFlt2OYt6I0hu_C-w8PmjV220tV_qEWFyV52qH31stRMrSgoX763nzBU9PEjjOEa0l-mqC4VnmE9AWy7d1590-bzl1ueDjAjXc/s300/PRR++II.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="168" data-original-width="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUPvZI48BNIv_jkmN5Ox0hLk8KeFYj_wZVva6hEn8__LFlt2OYt6I0hu_C-w8PmjV220tV_qEWFyV52qH31stRMrSgoX763nzBU9PEjjOEa0l-mqC4VnmE9AWy7d1590-bzl1ueDjAjXc/s0/PRR++II.jpg" /></a></div><p>Moving over to disc two I drop the laser on "Golden Clothes" and feel myself being swept away. There is a <b>Gentle Giant</b> quality to this band; as much in the music as in the style of play and the mood they emit. <b>Pure Reason Revolution</b> are almost ornate with their sound; there is so much going on all around you and trying to take it all in on first listen can be a lesson in futility. No worries though as leaving the disc on repeat allows the music to soothe while you relax. This song is almost two distinct pieces of music fused into one, careening gently from one mood to another. </p><p><br /></p><p>Last cut to flow the headphones tonight is "The Exact Color." This song is simply beautiful. The canvas displays soft hues that run together seamlessly, blue to gray to green to yellow to...a flow that is so steady yet so serene. Even as the tempo "picks up" it remains steady like the heartbeat of young love. <b>Pure Reason Revolution</b> use the piano in much the way a poet uses prose; to penetrate the walls surrounding the mind and the heart and bring the music to your entire being. There are top notes of <b>The Pineapple Thief</b> running through the entire album, and I also detect a commonality with <b>Atlas Volt</b>. </p><p>Learn more about <b>Pure Reason Revolution</b> and purchase the music at <a href="https://www.insideoutmusic.com/artist.aspx?IdArtist=446">PRRinsideoutmusic</a>. You can also find them on <a href="https://www.facebook.com/purereasonrevolution">Facebook</a> and Twitter <a href="@PRR_official">@PRR_official</a>. Just take the time to immerse yourself and let the music flow you...and all is right with the world...</p><p>The cut below is "The Bright Ambassadors of Morning." Once again the smooth piano leads the journey as <b>Pure Reason Revolution</b> travels across the space and time continuum. The prog garden is always expanding, both with new acreage and existing areas pushing the boundaries. I would love to hear a collaboration of <b>Pure Reason Revolution </b>with <b>Brian Eno</b> and <b>David Byrne; </b>perhaps this song is a precursor of what could be...</p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/bB5nyHp54CE" width="320" youtube-src-id="bB5nyHp54CE"></iframe></div><br /><p>So fellow progheads, I hope you enjoyed this re-entry in to the prog garden. <b>Pure Reason Revolution</b> harkens back to the some of the more classic members of the genre while creating a style and mood all their own. Much the way <b>King Crimson, Yes,</b> and <b>Pink Floyd</b> blazed an earlier trail for the likes of <b>Gentle Giant, Wishbone Ash,</b> and <b>Porcupine Tree</b>, a new trail is being carved out by the bands of today; <b>Pure Reason Revolution, Scarlet INside</b>, and <b>Seconds Before Landing</b> to name but a few. </p><p>So enjoy all the prog garden has to offer and spend a little extra time with <b>Pure Reason Revolution</b> this week...more effective than a vaccination and a lot less stressful...until next time...</p>Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-58391969294265884392020-12-13T13:45:00.000-08:002020-12-13T13:45:19.170-08:00Cosmos "The Deciding Moments of Your Life"/"Mindgames"<p>Welcome once again to the Closet Concert Arena fellow progheads. Coming off the recent review of <b>Morse, Portnoy, George</b> and their cover album trilogy, the search for all things prog continues its "sideways" trajectory. This week I return to the Progressive Gears stable of artists for a listen with <b>Cosmos</b>. The band has two albums available on the Progressive Gears label, so I thought I would review them both...you know; mix it up a little. Toward the end of the review there with be the obligatory link to a website allowing you to purchase the music if you so desire--and hopefully you will so desire. So onward as they say...</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaVszeGf48_Jbsn9onElYwPqBS81__UQPl_mkJRBl2Piwzir9Tht8WT7bALA-remodBZMcefQyvKQZ4j6s-k2mDAS8bCwn4BttDeOcKm6bOTQFw7hyphenhyphenjLBoP8Y0mRJ1vCTf-bCXD2OvI4E/s850/cosmos.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="560" data-original-width="850" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaVszeGf48_Jbsn9onElYwPqBS81__UQPl_mkJRBl2Piwzir9Tht8WT7bALA-remodBZMcefQyvKQZ4j6s-k2mDAS8bCwn4BttDeOcKm6bOTQFw7hyphenhyphenjLBoP8Y0mRJ1vCTf-bCXD2OvI4E/w320-h211/cosmos.jpg" width="320" /></a></div><p><br /></p><p>Opening the review with two cuts from the "Mindgames" album; first one hit with the laser is "Skygarden." A bit cosmic as the music starts to flow through the headphones--but it doesn't take long for the hammer to drop. <b>Cosmos</b> dances into the metal section of the prog garden--not as deep as <b>Opeth</b> or <b>Dream Theater</b> perhaps, but there is a tinge of <b>Pink Floyd</b> and <b>Transatlantic</b> wafting through the room. The drums hit without beating your ears into submission while the guitar rides a tempo in and out of a mood comprised of chaos, doom, and excitement...yes there is a lot going on here. The vocals are unexpectedly mild, floating across the top. </p><p>Next up is "Close to the Edge." I expect many of you did a double-take on the song title; alas, it is not a cover of the <b>Yes</b> classic (but wouldn't that have been interesting?). The piano and bass lead you on a tumultuous journey at sea...Mutiny? Pirates? The vocals wrap themselves around the entire piece, interwoven with the guitar as tension builds and you are drawn deeper into the abyss.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXTq4t1KY55sD3IftrXMKgIbVleHjbkue1n67Ue6-TehnTtJzJnS09lqZ6OTc2_zJo0rz9SsaXRToePMclj7T6zN_XDnG1LWxja2-ooN3QYRYZma0K5_9BwDNXC6YYN3tSUitMZvuXOFE/s2048/cosmos+mindgames.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="2039" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXTq4t1KY55sD3IftrXMKgIbVleHjbkue1n67Ue6-TehnTtJzJnS09lqZ6OTc2_zJo0rz9SsaXRToePMclj7T6zN_XDnG1LWxja2-ooN3QYRYZma0K5_9BwDNXC6YYN3tSUitMZvuXOFE/w277-h320/cosmos+mindgames.jpg" width="277" /></a></div><p>Checking out one more cut from this album; "There Are Millions of Reasons to Carry On." The keyboard opening is a bit on the interstellar side of the spectrum, and the abrupt shift as the drums and bass slide in is smooth like chunky peanut butter--and just as satisfying. The colors on the canvas run dark but begin to blend, releasing a bright swath of energy through the headphones. </p><p>Let's move to "The Deciding Moments of Your Life" album starting with "Where is Yourself." This song has strong overtones of <b>Pink Floyd</b>; the tension is built on understated vocals and subtle guitar embraced by the keyboards, and more of that interstellar atmosphere. </p><p>Always intrigued by title cuts, I give this one a spin. <b>Cosmos</b> is a band that runs deep with emotion and feeling, and this song serves as the perfect showpiece. I detect faint top notes of <b>Lonely Robot</b> and <b>Deep Energy Orchestra; </b>music to search the inner soul by. </p><p><b>Liner Notes...Cosmos </b>hails from Switzerland and like most up and coming bands, got their sound out to the masses by playing live gigs everywhere they were able. Also like many up and coming bands, internal strife and struggles altered the band's trajectory and derailed their plans. Fortunately nothing fatal occurred and <b>Cosmos</b> is back in the prog garden performing and recording. The current line-up is Olivier Maier on guitars and vocals, Dani Eggenberger on keyboards and vocals, Heiko Garrn on bass, and Tinu Wengi on drums. </p><p>This latest incarnation of <b>Cosmos</b> isn't just picking up where they previously left off--they are reinventing themselves in the art rock/neo prog section of the prog garden. With a subtle nod to the standard bearers who came before, <b>Cosmos</b> is carving their own niche in the prog garden and taking a fair amount of acreage to do it. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-H7h4EdF79DEGCi-SHjJDWH7S6QiIx5nGHS0HOLKwAZK62aEmDfMqZbaQEzz9QkaW8uThRta7p0FRG47n0UY0RyH8I2YZPvI7zsp1SL7xs8FI__wERUoFaWA7sZQXPeWE1lho1HqXrq8/s2048/cosmos+deciding+moments.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="2048" data-original-width="2048" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-H7h4EdF79DEGCi-SHjJDWH7S6QiIx5nGHS0HOLKwAZK62aEmDfMqZbaQEzz9QkaW8uThRta7p0FRG47n0UY0RyH8I2YZPvI7zsp1SL7xs8FI__wERUoFaWA7sZQXPeWE1lho1HqXrq8/s320/cosmos+deciding+moments.jpg" /></a></div><p>Moving back to the music with a tune called "When the Bird Flies Down South." The comparisons to <b>Pink Floyd</b> start to take shape with this cut; the grandiose overtones combined with introspective keyboards really strike a nerve. Of course the birds in the opening moments seem to be an homage to <b>Yes</b>...<b>Cosmos</b> does pay respect to those who came before. This song is emerging as one of my favorites from both albums; hitting the canvas with colors that splay bright and bleed to a faded hue. The vocals come through with a haunting realness that penetrate your skull and marinate in your subconscious...relax and take it all in.</p><p>Next up is "The Wind in Your Sail." There is something about this song that rings of <b>Dire Straits</b>. Olivier's guitar work combines with Dani's keyboards in a way that is not just beautiful, it is stunningly so. Top notes of <b>Gaillion</b> ride through like a clipper ship sailing majestically across the bay; this song must be heard to be fully appreciated. </p><p>You can purchase the band's music at <a href="https://progressivegears.bandcamp.com/music">Cosmos</a> and find out more about them at <a href="https://www.facebook.com/ProgressiveGears">Facebook</a>. You can also check on the entire stable of artists at Progressive Gears on Twitter <a href="@ProgGears">@ProgGears</a> and <a href="https://www.instagram.com/progressivegearsrecords/">Instagram</a>.</p><p>The cut posted here is "Contact" from the "Mindgames" album. While the reflection of <b>Pink Floyd</b> throughout this song is unmistakable, listen with an open mind (no pun intended) and let this one wash over you a few times. There is a dark cloud hanging overhead and as the music spills down the guitar hits you first--but as the song continues to fill the headphones you almost feel yourself floating away... </p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/IPPGIbt9Dmo" width="320" youtube-src-id="IPPGIbt9Dmo"></iframe></div><br /><p>So fellow progheads, another session winds down. Cosmos is a great respite from all the stress that follows you through your day. It's always a pleasant stroll through the prog garden looking for something new; the genre is overflowing with artists and band pushing the boundaries and expanding on what is already here. </p><p><b>Cosmos</b> takes you on a journey across the entire spectrum of the prog garden, and while they spend a lot of time in the space rock arena, they are far from one dimensional. Take some time and listen to both of these albums, letting your mind wander as the music fills your head and takes you on a journey across the prog landscape...taking in that awesome view...until next time...</p>Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-15235924395369303842020-10-25T14:22:00.000-07:002020-10-25T14:22:18.989-07:00Morse/Portnoy/George "Cov3r to Cov3r"<p> Hello again from The Concert Closet fellow progheads. 2020 has proven to be a journey unlike any other, and at times I've wondered how we ended up down this rabbit hole. But while the world continues the search for a "new normal" I continue the search for all things prog. This week I go "off grid" just a bit and check out the latest from <b>Neal Morse, Mike Portnoy, and Randy George (MPG)</b>, "Cov3r to Cov3r." </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR_5ob12gxZ3dGrdQ6gC8YeZfRpCw1VHSLFgGsxjRf60yofwDTv39K02652bY1TxxSKeAZP67j_mGMjMvZ1oc0Ckqc0hXy6n0peYRPPVdU-CfbbzvxQAcddNO2Bn4GH7Hwrx5iT9K9fnU/s225/Cov3r+to+Cov3r.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="225" data-original-width="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR_5ob12gxZ3dGrdQ6gC8YeZfRpCw1VHSLFgGsxjRf60yofwDTv39K02652bY1TxxSKeAZP67j_mGMjMvZ1oc0Ckqc0hXy6n0peYRPPVdU-CfbbzvxQAcddNO2Bn4GH7Hwrx5iT9K9fnU/s0/Cov3r+to+Cov3r.jpg" /></a></div><p>As the album title suggests this is their third installment of cover songs, and coincidentally they have also released the "Cover to Cover Anthology (Vol. 1-3)" at the same time. This is a 3-CD set with volumes one and two re-sequenced and remastered and includes the newly released volume three. For the sake of this review I will stick with "Cov3r to Cov3r (Volume 3)."</p><p>To me the challenge is listening to a cover of any song on its own merits; not comparing a cover to the original recording is all but impossible. Sometimes the cover simply blows the original away, much like the <b>Talking Head's </b>version of "Take Me the the River." Then there's the added level of intrigue when the live cover smokes the studio version of the cover...but let's not go there today...</p><p>Rather, let's jump in with no preconceived ideas with "Black Coffee in Bed." The familiar opening does remind one of <b>Squeeze</b>; the subtle keys and drums with the underlying guitar carry you right down memory lane. It seems as if <b>MPG</b> is trying to stay true to <b>Difford </b>and<b> Tillbrook's</b> original inspiration for the song where I was looking for more of a unique interpretation, a la <b>801</b> covering "Tomorrow Never Knows." However; the nostalgic vibe oozing from this song is something to enjoy. Neal does manage to grab you by the ears with his vocals while Mike and Randy chime in on the backing chorus with an almost paradoxical charm. </p><p>Another cut I found intriguing is "Hymn 43," a <b>Jethro Tull</b> original. For me this was a difficult song to cover mainly because it is so identifiable...as soon as the intro starts your mind is taken to <b>Ian Anderson</b> belting out those vocals, wrapped ever so tightly around some masterful drums and keys. However; on this song <b>MPG</b> really shines--this is the kind of rebuild I look for in a cover. Yeah, you recognize the song right away--that is the point after all. But when a band "carves their initials" into it much like the bark of a mighty oak, you know you've found a real gem. Everybody pours their all into this production; Neal's vocals are blood raw, Mike gives ounce of energy he has to the drumming, and Randy takes the keyboards to another level. </p><p><b>Liner Notes</b>...as spelled out in their name, <b>MPG</b> is Neal Morse on vocals, keyboards, and guitars, Mike Portnoy on drums and vocals, and Randy George on bass and keyboards. Having made names for themselves elsewhere in the prog garden, this seemed like a logical place for the guys to expand their horizons as it were and play music that one would not expect from them; just stuff they enjoy. A great way to let fans and loyal followers know where their influences came from and what kind of music they enjoy listening to when not making their own.</p><p>I for one like to "get inside the mind" of a musician or peak behind the curtain on a band and find out what inspires them and/or discover their interpretation of what they listen to, another reason I enjoy covers. I remember feeling quite surprised to find out <b>Chris Squire</b> of <b>Yes</b> was a fan of <b>The Fifth Dimension</b>, a pop group my mother was absolutely in love with in the 70s. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4b9fgI9g8kPWsn1f4tZhPV9hW0z5oeNj-qRofzynBxoatB5oppurwSHI3CsSeV7fLmFeO-4b5DbY4VNK315wnCFNf08BGHAJVwt64H2rxIEsbLKflirVL_R7SF_EGbWGpKA9b-yZITLE/s275/Cov3r+to+Cov3r+II.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="183" data-original-width="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4b9fgI9g8kPWsn1f4tZhPV9hW0z5oeNj-qRofzynBxoatB5oppurwSHI3CsSeV7fLmFeO-4b5DbY4VNK315wnCFNf08BGHAJVwt64H2rxIEsbLKflirVL_R7SF_EGbWGpKA9b-yZITLE/s0/Cov3r+to+Cov3r+II.jpg" /></a></div><p>Back on track here, another impressive cover from this album is "Baker Street," originally recorded by <b>Gerry Rafferty</b>. The tempo is a bit more upbeat and the song rocks a little heavier. Mike's drums are more prominent on this version and the sax solo--the heart and soul of the original version--is handled quite nicely. Neal goes all out on guitar as well; turning a song that wasn't high on his list of preferred covers into one of the better songs on the album. </p><p>You can purchase any or all of the "Cover to Cover" albums at <a href="https://www.insideoutmusic.com/">insideoutmusic</a>. All three artists have Facebook and Twitter pages if you have the urge to "fan stalk" them as well.</p><p>My last takeaway on the album is "One More Red Nightmare." You knew I was going there eventually, right? I have heard this song covered by several bands, most of which consist of members with a first degree connection to <b>Robert Fripp</b>. The more distanced association here made the song all the more intriguing to me, and I came away impressed. The sax was on a par with <b>Mel Collins</b> and Neal drove the guitar right through your brain like a railroad spike driven by John Henry himself. </p><p>Below, a clip to put you in the mood; "It Don't Come Easy." This one helps remind you that prog artists have many facets to their personality and music preferences. This was a great pop song when it first hit the airwaves and <b>MPG</b> grabbed that vibe by the shoulders, shook it a few times, then pumped it up a notch. </p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/bdWuYRmstRI" width="320" youtube-src-id="bdWuYRmstRI"></iframe></div><div><br /></div><div>There you have it fellow progheads, a little bit of fun as The Concert Closet takes a side street and explores the artists behind the prog curtain more than the music played in front of it. Knowing where musicians get their inspiration or simply finding out what they like to listen to can shed a bit of light on who they are when no one is looking, and why they do what they do they way they do... </div><div><br /></div><div>Back to the search for all things prog now, as the journey delves deeper into the prog garden nd discovers more of the good things to be had in 2020...until next time...</div>Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-78710666343685685892020-10-11T13:23:00.000-07:002020-10-11T13:23:11.134-07:00The Tangent "Auto Reconnaissance"<p> Welcome as always fellow progheads to the Closet Concert Arena. Autumn is starting her parade of color here in these parts, which may have influenced my thought process when it came to review time. I settled in with <b>The Tangent</b> this week, a colorful prog band if there ever was one. Band leader <b>Andy Tillison</b> has never been one to shy away from the spotlight, nor has he been known to desire all the attention in the room. He does, however present himself and his music in such a way as to demand it be taken on his terms. </p><p><b>The Tangent</b> is prog music for today; insightful, well written, well performed, and unafraid of what the critics have to say. For me the music is shrewd, energizing, relevant, exciting, and perhaps a bit humorous. But enough banter, on to the music...</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtZgUb-4S9k-S2m9VC3dh37oYwIeLFRCiAyX_G0YdslK-eOm6_i1ABfM6179v4ziAx1NckNBcP0gntcx1XTMrCzsOhGLIfsInvs_qGKG63VbLJKiIe7JCSr332ihzb7BDCfaVqvDroVtg/s306/Tangent+The.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="164" data-original-width="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtZgUb-4S9k-S2m9VC3dh37oYwIeLFRCiAyX_G0YdslK-eOm6_i1ABfM6179v4ziAx1NckNBcP0gntcx1XTMrCzsOhGLIfsInvs_qGKG63VbLJKiIe7JCSr332ihzb7BDCfaVqvDroVtg/s0/Tangent+The.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: left;">The opening number is called "Life On Hold." Instant energy races through the headphones; I am reminded of the opening of a <b>Yes</b> concert in their heyday. The upbeat tempo is a welcome burst of intensity--but I expect nothing less from Andy. The keyboards are the focus on this cut along with the vocals; <b>The Tangent </b>has transitioned perfectly from their previous album to this latest adventure.</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Next song to be hit by the laser is "The Midas Touch." A more somber opening is short-lived as the tempo once again builds on its own energy. The canvas is splayed with bright hues that, while not blinding, do reflect that "Midas Touch." Top notes of <b>Camel</b> rise to the surface and perhaps a hint of <b>Marillion, </b>but <b>The</b> <b>Tangent</b> are definitely in a section of the prog garden all their own. This is a perfect song for the current state we're all in; there is a silver lining to the cloud hanging over the planet. </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHnRAbLQVUQXKxqP8D69VmHhy4Lzj0xOSQ4H7CqpxzXnLWZOA3m8H959NZIt00ou1i10Pp6jJZEIavKM7AM9ijB8X-HlirSOFHdl06fyGJSQiUo09Akm9DZ7sakc8tdpxQMfvH8pSoZS0/s2048/the+tangent.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="2048" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHnRAbLQVUQXKxqP8D69VmHhy4Lzj0xOSQ4H7CqpxzXnLWZOA3m8H959NZIt00ou1i10Pp6jJZEIavKM7AM9ijB8X-HlirSOFHdl06fyGJSQiUo09Akm9DZ7sakc8tdpxQMfvH8pSoZS0/s320/the+tangent.jpg" /></a></div><div class="separator" style="clear: both; text-align: left;"><b><br /></b></div><div class="separator" style="clear: both; text-align: left;"><b>Liner Notes</b>...Originating in Pately Bridge, North Yorkshire, UK, <b>The Tangent</b> are Andy Tillison on vocals and keyboards as well as the lyricist and composer for the band, Luke Machin on guitar, Jonas Reingold on bass, Theo Travis on sax and flute, and Steve Roberts on drums. </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><b>The Tangent</b> have filled the prog garden with their prog stylings on 17 albums over the course of nearly two decades. They enjoy a very loyal fanbase and have earned a reputation--deservedly so--as a band unafraid to take on society and everything that entails while not not getting bogged down in the drudgery. With influences ranging from <b>ELP</b> to<b> Return to Forever</b>, this latest album is just one more unique offering from a band that refuses to be pigeon-holed or hog-tied to someone else's definition of what prog should be. The refreshingness is so damn invigorating...</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Learn more about The Tangent and purchase their music at <a href="https://thetangent.org/">thetangent</a> and <a href="https://www.insideoutmusic.com/artist.aspx?IdArtist=464">insideoutmusic</a>. You can follow the band on <a href="https://www.facebook.com/groups/alltangentmembers/">facebook</a> and Twitter <a href="@thetangentmusic">@thetangentmusic</a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">I played the next song, "Jinxed in Jersey" several times simply because it's as smooth as a pair of silk pajamas. If you were looking for <b>The Tangent's</b> jazz fusion connection you just found it. Andy tells a story with a clever, somewhat wry sense of humor. The keyboards cruise through like a speed boat across a serene lake; this song is AOR with a zest of lime. </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP-NgFVdBoEK-9UQ-WKLHcBXmyxzod63ko10Z15dIqn3BsS8ZUuZCuaI6CP0V9rKSQn_3cboa7zGOHyz4EvCXKnwgL0SCiMLFVMm4aUY3gyCUx4zhkoorTjjD2_MTwwlJziAkRDSaxMso/s300/the+tangent+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP-NgFVdBoEK-9UQ-WKLHcBXmyxzod63ko10Z15dIqn3BsS8ZUuZCuaI6CP0V9rKSQn_3cboa7zGOHyz4EvCXKnwgL0SCiMLFVMm4aUY3gyCUx4zhkoorTjjD2_MTwwlJziAkRDSaxMso/s0/the+tangent+2.jpg" /></a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">The cut below was chosen as an example of the wide range of acreage <b>The Tangent </b>occupies in the prog garden. "The Tower of Babel" is a nod to the excess of excess; the blind spot people have when it come to have vs. need. When Andy sings "you can treat me like piece of dirt...you can screw the system up, you know what to do, before the system screws you" he is just telling it like it is--although no one really wants to be on the receiving end of a jab like that. Andy can be as stinging as <b>Warren Zevon</b> and as eloquent as <b>Dave Cousins</b> with his lyrics...with a voice as soothing as <b>Van Morrison</b> on both counts.</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><div class="separator" style="clear: both; text-align: center;">.<iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/g25SiiFKC3M" width="320" youtube-src-id="g25SiiFKC3M"></iframe></div><br /> Once again fellow progheads we find ourselves at the end of another chapter here in the Concert Closet. <b>The Tangent</b> and bands like them are just what the prog garden needs right now; pertinent, on the cutting edge, not afraid to speak their minds. Andy put it best when he said, "I utterly refuse to accept that progressive rock music is some kind of museum piece. It is actually a living and breathing movement that has a past, a present, and above all, a future..." </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">This is what keeps me coming back to the prog garden every day--the desire by a band and/or artist who wants to be heard on their own terms and not forced to meet someone else's definition of what it is they do. Don't get me wrong; the glory days of <b>King Crimson, Yes, Pink Floyd, Gentle Giant, Genesis</b>, </div><div class="separator" style="clear: both; text-align: left;">et al. are worthy of all the praise heaped on them. But the prog world did not end--much to the chagrin of thousands--in 1975. It continues today and thankfully has evolved. Which, by definition, it was supposed to do.</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">So the search for all things prog continues on as the journey has no end...until next time...</div>Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-36287891574141665672020-09-19T13:42:00.003-07:002020-09-19T13:42:31.152-07:00Alcantara "Solitaire"<p> Hello again fellow progheads and welcome back to The Closet Concert Arena. Summer 2020 is beginning her swan song as Autumn starts to appear on the horizon; the nights are longer and cooler, the humidity has retreated behind cool summer breezes, and the sun is no longer a blazing beacon burning a hole through your entire body.</p><p>This change of mood led me to some introspection which in turn led me to the Progressive Gears Records stable of artists. Consequently, the Concert Closet traveled to Sicily to host <b>Alcantara</b>, who recently released their debut album "Solitaire." Haven't been to Italy in way too long so I am excited to get started...</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgreC6qH0vvopje6YNd15_BGAdl8WwEXls6B294enlddYcd361j5alvE1iehPd0BxrOc0xVspng4Fis1ZZtOWjRh_mHYYdjO85F5U8OYUSeCYl6FurMCSfms22bJz0xNQaLRvw82Fy2h_w/s2048/Alcantara.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1121" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgreC6qH0vvopje6YNd15_BGAdl8WwEXls6B294enlddYcd361j5alvE1iehPd0BxrOc0xVspng4Fis1ZZtOWjRh_mHYYdjO85F5U8OYUSeCYl6FurMCSfms22bJz0xNQaLRvw82Fy2h_w/s320/Alcantara.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div><div style="clear: both; text-align: center;"><span style="text-align: left;">The album opens with "After the Flood" and immediately the headphones are filled with a gentle and soothing balm, perfect for the mind. Soft guitar is entwined with delicate vocals drawing you inward toward a dim light illuminating the darkness where memories reside. Good? Bad? That depends on the </span><span style="text-align: left;">perspective of the listener, no? </span><span style="text-align: left;"> </span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;">Next up is "Bad Bones," another dark song dancing enticingly on the edge of macabre. The sultry guitar gives way to solid percussion as vocals permeate the headphones with a gentle tone...and every now and then they pierce with the unobtrusive force of a scalpel. The top notes vary in intensity throughout this song; ranging from </span><b style="text-align: left;">Big Big Train</b><span style="text-align: left;"> to </span><b style="text-align: left;">Seconds Before Landing </b><span style="text-align: left;">to</span><b style="text-align: left;"> Pink Floyd</b><span style="text-align: left;">. </span></div><p>Liner Notes...As I mentioned previously,<b> Alcantara</b> hails from Sicily and is comprised of Francesco Venti on lead guitar and keyboards, Salvo DiMauro on guitar, Sebastiano Pisasale on bass, Sergio Manfredi on vocals and lyrics, and Alessio Basile on drums. Other musicians participated in the recording of this album; Gionata Colaprisca, Andrea Quarolli, Saro Figurra, and Alessio Bano each contributed to different tracks.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiew2C9DUF7HeBmZXIHvARw6y1cWu6EGDRu41_mI29fv8c363eDY-WF3J_axCiNqwq0vmCVuUobiDL4U3RKrzX_tTj6RyY9H3XVBHJahs3XyRo5TLGrie4f5HX9P3YmzGOyiJEnJTrr33M/s250/Alcantara+II.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="250" data-original-width="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiew2C9DUF7HeBmZXIHvARw6y1cWu6EGDRu41_mI29fv8c363eDY-WF3J_axCiNqwq0vmCVuUobiDL4U3RKrzX_tTj6RyY9H3XVBHJahs3XyRo5TLGrie4f5HX9P3YmzGOyiJEnJTrr33M/s0/Alcantara+II.JPG" /></a></div>A debut concept album, while almost the norm in the prog garden today, rarely hits a nerve so succinctly as "Solitaire" does. <b>Alcantara</b> peeled the band-aid off a wound that has everyone talking and many taking action; the decline of societal and political classes. People are tired of being left out of the conversation while at the same time being used for the political and financial gain of others. <b>Alcantara</b> gives voice to that argument, urging the masses to resist and make change.<div><br /></div><div>Moving down the playlist, the third song here is aptly titled "The Resistance." The song opens with the <b>Lawrence Ferlinghetti </b>poem "Pity the Nation" spoken over a steady bass line and the dark, quiet hum of the keyboard...Sergio then pierces the veil with softly sung lyrics that penetrate the soul. <b>Alcantara </b> uses prose written decades ago beautifully to speak to society's ills today; lessons yet unlearned...</div><div><br /></div><div>Learn more about the band at <a href="http://progressivegears.com/artists/alcantara/" target="_blank">Progressivegears</a> and purchase the album at <a href="https://progressivegears.bandcamp.com/album/solitaire" target="_blank">bandcamp</a>. You can follow <b>Alcantara</b> on <a href="https://www.facebook.com/bandalcantara" target="_blank">Facebook</a>, <a href="https://www.instagram.com/bandalcantara/" target="_blank">instagram</a>, and Twitter <a href="@bandalcantara" target="_blank">@bandalcantara</a>. <p>For a few reasons I believe the clip below is very apropos for your listening pleasure this week. First off, it is in line withe the mission <b>Alcantara</b> is on. The "I Can't Breathe" sessions include three live versions of songs from the "Solitaire" album; "Logan," "Bad Bones," and "After the Flood." The band also participated in the Wellbeing Festival on Great Music Stories. </p><p>While the Concert Closet is a gateway to the prog garden and the prog garden is a peaceful place where one can simply enjoy great prog, the theme of the "Solitaire" album and the events related to the recording of the "I Can't Breathe" EP deserve mention. Music has always been a vital part of societal change and the prog garden is fertile ground for a <i><b>positive</b></i> revolution. That the music is pretty darn good only helps the cause...</p><p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/YKD3iJeiOJM" width="320" youtube-src-id="YKD3iJeiOJM"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><p>So fellow progheads, we come to the end of another music filled week. The prog rock genre is filled with many bands and artists that view the world through a different lens and use that vantage point to tell their story. That is something I believe we can all appreciate today.</p><p><b>Alcantara</b> come straight at you with a definite purpose, yet they do so without making you feel like you need to defend yourself. Their music is hard-hitting without being obtrusive noise; they demand your attention and make their point without sidetracking the issue. Yes they call for resistance and denounce the polarized state of the world, even calling for people not to follow like sheep--but they do it without using violence as the go-to option. </p><p> So the search for all things prog continues. The journey thus far has criss-crossed the planet with no end in sight...and that is fine with me. Until next time...</p></div>Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-33466720881145073352020-09-12T12:14:00.001-07:002020-09-12T12:14:38.926-07:00Lonely Robot "Feelings Are Good"Socially distanced greetings fellow progheads! Continuing the search for all things prog despite a global pandemic has proven to be entertaining, educational, fun, and exciting. I can accept being forced to stay home as long as I don't have to "stay home," and traveling the prog garden allows me to do just that.<br />
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This week we check in on the latest from <b>Lonely Robot</b>; "Feeling Are Good." The album was released in July, the fourth in the <b>Lonely Robot</b> catalog. After completing the "Astronaut Trilogy," John took a different trajectory with his latest work. So let's travel the tangent road and listen to what awaits the eager ears...<br />
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The title cut opens the album much like a futuristic appeal to the senses, a la <b>The</b> <b>Alan Parsons Project</b> from the "I Robot" days. Switch gears as we flow seamlessly to "Into the Lo-Fi" and the tempo picks up immediately. This is a high energy band much like <b>Mile Marker Zero</b> and <b>The Tangent. </b>John Mitchell continues to pump energy through the headphones and send it pulsing through your veins. </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGJlsiaZ5o-uhApzB8JgZxe0LFJjUow4dLP_C4nfeMLwQz2EqrOrRVxyv3EoWRzZo872jwf1a8wmFmSnZGQR51WZv_JA5B2MiPq9QQc2PCMvwIlaTUNLbjy_nRMmpR0NZuSHVMF8VQJKA/s2048/Lonely+Robot+Feelings++II.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="2048" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGJlsiaZ5o-uhApzB8JgZxe0LFJjUow4dLP_C4nfeMLwQz2EqrOrRVxyv3EoWRzZo872jwf1a8wmFmSnZGQR51WZv_JA5B2MiPq9QQc2PCMvwIlaTUNLbjy_nRMmpR0NZuSHVMF8VQJKA/w256-h256/Lonely+Robot+Feelings++II.jpg" width="256" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div>
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Next up is "Army of One." Off on a different tack, this song starts with a quick shot of adrenaline that tamps itself down...only to thrust itself right back at you. <b>Lonely Robot</b> pelts you with feelings from every direction here; a man going to war with himself. Fighting an inner battle so many are familiar with yet a subject so often ignored or misunderstood...but feelings are good--right?</div>
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This song marches into "Grief is the Price of Love" so smoothly you almost fall into an abyss you never realized was there. The gentle vocals pull the heart strings with an acoustic guitar accompaniment that is as elegant as it is somber. So many emotions....</div>
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Liner Notes...<b>Lonely Robot</b> is the solo outlet for John Mitchell. As a member of <b>Kino, Frost*, It Bites,</b> and <b>Arena</b>, John has managed to keep himself occupied. <b>Lonely Robot </b>is the outlet John uses to release his inner spirit. The music is ornate, delicate, bold, introspective, and at times in-your-face. Yes, feelings are good...</div>
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Along with writing, recording producing, and mixing the album, John plays guitar, bass, and keyboards as well as laying down the vocal tracks. He did, however, have Craig Blundell behind the drum kit. </div>
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Learn more about John Mitchell and <b>Lonely Robot </b>and purchase the music at <a href="http://johnmitchellhq.com/">johnmitchell</a> and </div>
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<a href="https://www.insideoutmusic.com/artist.aspx?IdArtist=821">insideoutmusic</a>. You will also find them on <a href="https://www.facebook.com/johnchristianmitchell">facebook</a> and Twitter <a href="http://lordconnaught/">@LordConnaught</a>.</div>
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<div class="separator" style="clear: both; text-align: left;">Another song from the playlist this week, "Keeping People as Pets" continues the trajectory into the emotional stratosphere this album has taken. The tempo runs high as John hits you with lyrics that crawl inside your head and sprawl out, making you ponder reality. One of the many things I like about <b>Lonely Robot </b>is every album is a concept unto itself and every song within that concept pulls on a thread and doesn't stop until it unravels the world you (previously) found comfort in. </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">There are times<b> Lonely Robot</b> comes off as loud and full throttle as <b>Liquid Tension Experiment</b>, and other times when the music is gentle and introspective as <b>Tears For Fears</b>. John delves into a lot on this album...his songs peeling back the layers as you take a journey through the mind. His lyrics have always been a strong suit; John paints a vivid picture with his words.</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">The ear candy to hook you this week is called "Spiders." The deliberate, slow, steady piano that opens the song accompanies lyrics that are themselves slow, dark, and calculated. Is that fear you sense or simply trepidation about what is behind the curtain separating you from the unknown? Feelings are good, yes--but they have a way of clouding the senses, don't they? The top notes of <b>Frost*</b> aren't coincidental; the influence crashes through here...</div><div class="separator" style="clear: both; text-align: left;"> </div><div class="separator" style="clear: both; text-align: left;">Place the headphones on...relax, reflect, repeat...</div>
<br /><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/vg-eYLBeoCI" width="320" youtube-src-id="vg-eYLBeoCI"></iframe></div><br /><div>I hope this one struck a chord with you fellow progheads; <b>Lonely Robot </b>has shown indeed that "Feelings Are Good." John is able to do with lyrics what Robert Fripp is able to do with his guitar...perhaps they should join forces on an album in the future? For now I'm content with <b>Lonely</b> <b>Robot</b> finding new axes to grind and different lenses through which to view the landscape.</div><div><br /></div><div>Let the search for all things prog carry on; until next time...</div>Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com1tag:blogger.com,1999:blog-819404047076867544.post-32437451428513152172020-08-22T12:46:00.001-07:002020-08-22T12:46:55.129-07:00Electric Mud "Quiet Days on Earth" Hello and welcome to the Concert Closet fellow progheads! We are now officially winding down the "dog days of summer" as the prog garden continues to reap a mighty harvest. This month I venture back to Germany for a visit with a band I discovered a few years ago. It has been very enjoyable to listen to <b>Electric Mud</b> and experience first-hand how their sound has grown, expanded, and matured.<br />
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Germany isn't exactly known as a "prog hotspot" the way other countries are perhaps, but it is home to some excellent music and artists nonetheless. <b>Electric Mud</b> is such a band so I am excited to listen in on their latest release "Quiet Days on Earth." Their music has ventured all over the prog garden on their previous albums; hard-hitting blues, avant-garde jam sessions, dark post rock, and jazz fusion to stir your memory. So my curiosity is piqued; what surprises are in store this time around?<br />
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First song queued up is "Adventures in a Liquid World." The song opens as gentle as a stone skimming across a lake; the serenity of the scene broken by the quiet interruption of a guitar rippling through the headphones. There are genuine top notes of the Discipline-era <b>King Crimson</b> bantering across this piece; the ambient tranquility is beautiful. The canvas is streaked with soft hues meant to calm the listener. The tempo changes are striking mainly because the mood continues to caress your inner being. <br />
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The next song to ebb through the headphones is "Eyes Watching Skies." The keyboards that open the piece immediately take me to an <b>Alan Parsons Project</b>-like concept...something along the lines of a macabre dance to the story's epilogue . However; the mood changes quickly yet subtly and you feel yourself floating in space--indeed watching the sky change from that gentle crystal blue to a mild gray to a darkness lit by the stars. So much happening in less than four minutes. The drums are surrounded on all sides by keyboards that at first seem to channel <b>Keith Emerson </b>in that moment before he slays the organ, fading smoothly into <b>Jordan Rudess</b> caught in one of his deeper moments of poignant thought...<br />
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<b>Liner Notes</b>...the mind behind the conceptual sounds belongs to one Hagen Bretschneider who also plays bass. He is joined by Nico Walser who performs all other instruments, is co-composer, and engineers the album. Guitar riffs on the album are performed by Lennart Hueper.<br />
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This latest release from<b> Electric Mud </b>is ambient music meets 70's prog meets post-progressive music. Think <b>Brian Eno</b> working with <b>Tangerine Dream </b>with<b> </b>hints of <b>Talking Heads</b> on their "Remain In Light" tour edging on the perimeter. Hagen and Nico have created a sound and accompanied it with striking visuals; the canvas runs vividly with many hues. Emotion is brought to life a la <b>Abstract Aprils, </b>albeit with a bit more flair.<br />
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Learn more about <b>Electric Mud</b>, check out their entire catalog, and make a purchase at their website<br />
<a href="https://electricmud.jimdofree.com/">ElectricMud</a> and <a href="https://electricmud.bandcamp.com/">bandcamp</a>. You can follow the band on <a href="https://www.facebook.com/LiquidSkyNet">Facebook</a> and Twitter <a href="http://electricmudd/">@Electricmudd</a>.<br />
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One more song to captivate your senses; "The Loneliness of the Somnambulist." There is an odd, almost foreboding mood flowing through the headphones on this cut. <b>Electric Mud</b> captures your attention by painting vivid pictures with every color of the spectrum; the dark hues are tinged with the exuberant colors of daylight dancing on the horizon. In much the way <b>Robert Fripp </b>and<b> Eno, Moebius</b>, <b>and</b> <b>Roedelius</b> brought music to life without using words, so to <b>Electric</b> <b>Mud</b> has tapped that vein.<br />
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I chose "Wading Through the Waters of Time" as your aural teaser this week because it puts on full display all the genius behind the curtain. Hagen and Nico have crossed into yet another section of the prog garden with this album. <b>Electric Mud</b> doesn't reinvent itself every time out per se, but they are very good at stretching the boundaries and expanding their soundscape...please to enjoy...<br />
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I hope you enjoyed the music this week fellow progheads. <b>Electric Mud</b> comes at you with visuals as well as sounds; images to translate the music and allow you to focus and submerge yourself...forgetting the world around you even if it's just for a little while. Prog rock in this section of the prog garden is nothing short of an out-of-body experience...<br />
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Now the search for all things prog starts out on a new journey...until next time...Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-4873757274095915642020-08-22T12:44:00.000-07:002020-08-29T13:14:56.963-07:00Caligula's Horse "Rise Radiant" Hello again fellow progheads! The Closet Concert Arena continues its journey through the prog garden with a stop in Australia this week. A band I visited a while ago and have had on my radar ever since, <b>Caligula's Horse, </b>recently released "Rise Radiant," the fifth album in their catalog and third on the Inside Out Music label. I enjoy catching up with bands that have expanded their acreage in the prog garden, so let the journey begin...<br />
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"The Tempest" opens things up with a quick energy shot; the needle approaches red as soon as the curtain is lifted. Heavy guitar wraps itself around the lining of your skull as drums work like bumpers, allowing the keyboards to bounce around the perimeter and all the while the guitar holds everything in its grasp. There are top notes of <b>Dream Theater</b> and <b>Spock's Beard</b> running through the music; the high energy and color explosions that hit the canvas keep the adrenaline going...<br />
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Next up is "Autumn." With this song you can (almost) forget everything I just said about <b>Caligula's</b> <b>Horse</b> blowing the doors off the barn--this song is the newborn colt stumbling to stand on matchstick legs while mom watches, ready to break the fall. There are subtle top notes of<b> Steely Dan </b>and I am reminded of <b>Fire on Dawson</b> as well. The soft overtones of this song complement the band's ability to roam the entire prog garden expanding their sound and pushing the envelope. The vocals are rough silk; smooth with a deceptively frayed edge.<br />
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Liner Notes...calling Brisbane, Australia home, <b>Caligula's Horse</b> is Jim Grey on vocals, Sam Vallen on lead guitar, Adrian Goleby on guitar, Dale Prinsse on bass, and Josh Griffin on drums. With four albums on their resume prior to the release of "Rise Radiant," <b>Caligula's Horse</b> has established themselves firmly within the contemporary metal section of the prog garden.<br />
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This album explores the human experience--no blinders here; nothing one dimensional or limiting the view. And much like the human experience, "Rise Radiant" strikes deep, skims the surface, explodes across the canvas with a boldness that can be blinding, and then looks through an introspective lens that is reticent and reserved. Yes, <b>Caligula's Horse</b> has been busy traversing the prog garden gaining valuable insight.<br />
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Learn more about <b>Caligula's Horse</b> at <a href="https://www.facebook.com/caligulashorseband/">Facebook</a> and purchase the album at <a href="https://www.insideoutmusic.com/index.aspx">Inside Out</a>. You can also follow them on Twitter <a href="http://caligulashorse/">@CaligulasHorse</a> and Instagram <a href="https://www.instagram.com/caligulashorse/">caligulashorse</a>.<br />
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Finally this week I piped "Dream the Dead" through my headphones. The immediate head rush came full tilt; <b>Caligula's Horse</b> is very adept at thumping the perimeter of your skull to prepare you for the music onslaught that is about to invade the premises. But this song goes one better; it leads you on a journey through darkness punctuated with bright strobe lights your mind races to follow.<br />
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Top notes of <b>Opeth </b>run rampant across the canvas until the song takes a reflective tangent and hooks you with a touch of <b>The Mute Gods</b>. The drums and guitar are ornate while the music as a whole rides the mood elevator up and down your spine...a most invigorating feeling...<br />
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For your ear candy this week I chose "Slow Violence." The song comes at you like the title suggests; slow and deliberate with the intention of leaving you changed for the experience. There are faint top notes of <b>Transatlantic</b> flowing through this piece, as if the urge to break out and let loose is pulsating in Sam's temple. The restraint does the song justice as Jim picks up the vibe and carries it through strong vocals. I am reminded of <b>Between the Buried and Me </b>musically; the unity is evident and everyone builds off the others' energy.<br />
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Start the day with a bit of high velocity...<br />
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And that, fellow progheads, puts one more week of the dystopian world of 2020 in the record books. Seems the best, and possibly safest, place to spend time these days is in the prog garden. Luckily there is quite a bountiful harvest just waiting for you. So enjoy <b>Caligula's Horse</b> and sit back and enjoy the rest of the journey. The search for all things prog continues...until next time...<br />
<br />Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-29911761672559905702020-07-21T16:27:00.000-07:002020-07-21T16:27:54.295-07:00Apostle "Sky Above Me" Greetings fellow progheads! Welcome as always to the Concert Closet. This week the search for all things prog turns up the heat as we venture across the pond for a visit with our friends at Progressive Gears Records. One of the bands in the Progressive stable, <b>Apostle</b>, recently released their "debut" EP, "Sky Above Me." PGR has a lot of stellar bands in their stable so let's check out what I hope will be another fine performance...<br />
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The album opens with a song called "Reaper" and the imagery the music evokes is quite fitting. The guitars sit heavy on top while keyboards move in and out, beefy at times before then letting up...and the chase is on. The song puts hands around your throat but doesn't give that fatal squeeze--although there are finger marks from the tight grip. Top notes of <b>Marillion</b> are scattered throughout as the canvas fills with bright primal colors outlined in darkness...<br />
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Next song to be hit by laser is "Last Goodbye." an unexpectedly poignant piano gently pulls back the curtain on gentle lyrics. A son paying tribute to his mother is usually a heartfelt moment and <b>Apostle</b> drives the point home with guitar that hits hard at just the right moments. An unexpected flash of vulnerability from a band that seems to prefer the more boisterous section of the prog garden...<br />
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Liner Notes...<b>Apostle</b> hails from Yorkshire, England and the current line-up is comprised of Ryan Hanson on vocals, Chris Allen on keyboards, Richard Lidster on guitar, Shaun Ellis on bass, and Marcus Murray on drums. Starting out as <b>Apostles of Chaos</b>, the band took a brief hiatus in 2019 to determine the next steps in their journey.<br />
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Drawing from classic rock, prog, metal, and other genres under the rock 'n' roll umbrella, <b>Apostle</b> adopted their new name and dove headlong into the growth and inner reflection needed to distinguish and claim their own identity. With this release <b>Apostle</b> makes an absolute statement about who they are and justify the battle to claim their own acreage in the prog garden.<br />
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Learn more about <b>Apostle</b> and purchase their music at their website <a href="https://www.apostle.org.uk/?fbclid=IwAR25CyHkk9MLn9c2RKmu-XYlGyg79_iBSnPf43BqBNpbmlJyubAIO-KcuEQ">Apostle</a> and the home of their label <a href="http://progressivegears.com/">PGR</a>. You can also find them at <a href="https://progressivegears.bandcamp.com/album/sky-above-me-ep">bandcamp</a> and on <a href="https://www.facebook.com/Yorkshireband/">facebook</a>. For those so inclined, you can follow the band on Twitter <a href="http://aoc_bandpage_uk/">@AOC_Bandpage_UK</a>.<br />
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My final play for review this week is "The Fire Within." The tempo is turned up on this cut as the guys feed off each other's energy. Hints of <b>Deep Purple</b> and a dash of <b>Magnum</b> flow through the headphones as the canvas runs with colors bright; painted with heavy strokes.<br />
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The song I bring to you as a taster from this EP buffet is "Reaper;" to whet your appetite and prepare you for a full serving from the band. <b>Apostle</b> taps their inner hard rock DNA and fills your head with wild imagery and an ominous darkness that is pierced straight through with a bright light--just when you think the fateful blow is about to strike...<br />
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So fellow progheads, a little high energy metal from the prog garden this week to get your adrenaline going. However; <b>Apostle</b> hasn't painted themselves into a corner by being "just" a metal band; they have other arrows in their quiver. Deep lyrics, heavy guitar, gentle piano, hard hitting drums...and<br />
all of it comes together nicely on this five song EP.<br />
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The search for all thing prog forges onward as the journey continues...until next time...Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-91083149498261357942020-07-07T16:09:00.001-07:002020-07-07T16:09:18.068-07:00 Hats Off Gentlemen It's Adequate "Nostalgia for Infinity" Welcome back once again fellow progheads! Summer is heating up and the prog garden is overflowing with great music. This week should prove to be quite the adventure as I return once again to a band that has become one of my favorite newer entries to the prog garden. I have been a fan of <b>Hats Off Gentlemen It's Adequate</b> since I first discovered them in 2016. Led by Malcolm Galloway, <b>Hats Off Gentlemen </b>have been reinventing themselves with every release...so let's find out who they are now...<br />
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The album opens with "Century Rain." As expected with <b>Hats Off Gentlemen</b>, the first sounds to permeate the headphones are understated yet extremely captivating. The song melts over your ears like icing on a warm danish, running through your auditory canals and filling your being with a sense of ease. <b>Hats Off Gentlemen </b>has mastered the fine art of squeezing the most from the least; there is so much going on in this tune with only three people contributing to the final product. The flute is mesmerizing as it floats over the the entire piece...<br />
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Perusing the playlist I discover a song with a most intriguing name; "Nanobotomas." Malcolm follows in the footsteps of <b>Alan Parsons</b> with his ability to construct a concept album. The theme here is the delicate structure of civilization viewed through several different lenses. Here we are struck by the imagery of the human body being overtaken by nanobots...self destruction from within. Top notes of <b>Porcupine Tree </b>and the ominous moods of <b>Pink Floyd </b>skitter through this song. Let this one play on a loop a few times while you sink into it...or perhaps it is sinking into you...<br />
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Liner Notes...<b>Hats Off Gentlemen It's Adequate </b>remains as always Malcolm Galloway on vocals and Mark Gatland on bass and Chapman stick. Both play guitars, keyboards, and synthesizers, and Kathryn Thomas plays flute and contributes vocals.<br />
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I have listened to this band from the beginning; their growth--both musically and lyrically--is impressive and refreshing. There are few bands that bring so much to every song using so little--and that is an underappreciated accomplishment. Each note, lyric, sound, and even silence is deliberate and thought out. <b>Hats Off Gentlemen </b>give <b>Steely Dan </b>a run for their money in this regard...even the album artwork is stunning and thought-provoking...<br />
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You can learn more about <b>Hats Off Gentlemen</b> at their website <a href="https://hatsoffgentlemen.com/home">HatsOffGentlemen</a> and <a href="https://hatsoffgentlemen.bandcamp.com/">bandcamp</a>.<br />
There is also Twitter <a href="http://itsadequate/">@itsadequate</a> to learn the latest and keep up with the band's goings on.<br />
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Finally this week I listened to the title cut, "Nostalgia for Infinity." The soft guitar opening streams gently through the headphones, setting the listener up for a journey across the prog garden as smooth and dreamy as it is surreal and introspective. Kathryn's flute is hypnotic and rides across the top of the song like a siren, calling you deeper into a dream. Malcolm breaks through the veil with strong lyrics reinforced with steady percussion and guitar work. Once again <b>Hat Off Gentlemen</b> approaches the prog garden from a different vantage point, much the way <b>Brian Eno</b> was so adept at doing in his early influential years...<br />
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In the spirit of social distancing, my listening choice this week is a lock down version of "Century Rain." The bass line really shines through here, and of course Kathryn's flute mastery is simply beautiful. I'm not surprised <b>Hats Off Gentlemen</b> posted a "pandemic" version of this song; they have been extremely involved in so many social issues since their inception. Sit six feet away from your neighbor and enjoy...<br />
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So fellow progheads another week falls though the hourglass. <b>Hats Off Gentlemen It's Adequate</b> took us on a very insightful journey across the prog garden this week. Their music is inspiring, thought-provoking, introspective, and a pleasure to listen to. Delving into a concept leaving no stone unturned and no vantage point unobserved, the music engulfs your mind, body, and spirit...and that is why the prog garden is so rich.<br />
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Yet travel on I must as the search for all things prog continues...until next time...Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-35046112843471725142020-06-30T18:09:00.001-07:002020-06-30T18:09:03.052-07:00Silas & Saski "Power of Three" Hello again fellow progheads! The Closet Concert Arena is jam packed and excited to bring you more of what the prog garden has been cultivating, so let's get started. Lots of great music has graced these pages over time and that trend continues. This week the search for all things prog went back to the well with new friend Silas Neptune who just released a duet with Saskia Maxwell. Time to venture into the prog garden and settle in with Silas & Saski and their latest, "Power of Three."<br />
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I open with the lead-in song "Magic of Words." The curtain rises on a celestial atmosphere; almost immediately you can sense yourself being transported to another world. The imagery is bold and vibrant, the canvas dancing with striking colors. Listening to this piece I am reminded of what drew me to Silas' music in the first place--serenity wrapped in so much energy and passion. It isn't often that a song will excite your senses and soothe your inner being at the same time. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCVAysYqRyaMPw_55KDMocdvOAa4OiKvmv2pR2v76d7gtvbAmFKw2LCiAEojRGM1b1xIWZgcZiMRjE8oDhykHA6Bv26xn3rERmrB4F0xMSV9QiqSmJvuKLHblJgppFx4GLWJuzTwZrP5U/s1600/Silas+Power+of+Three.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="225" data-original-width="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCVAysYqRyaMPw_55KDMocdvOAa4OiKvmv2pR2v76d7gtvbAmFKw2LCiAEojRGM1b1xIWZgcZiMRjE8oDhykHA6Bv26xn3rERmrB4F0xMSV9QiqSmJvuKLHblJgppFx4GLWJuzTwZrP5U/s1600/Silas+Power+of+Three.jpg" /></a>Next up, "In Reverse." This song opens as if you're watching a movie about the universe, creation, and the wonder of it all. The vocals wrap themselves around you like a silk scarf, gentle and caressing. To say <b>Silas & Saski </b>are transcendental is almost cheating--it's too easy and simplistic. There are so many more layers to their music and while it's soothing, it's also highly imaginative. I get a sense of <b>Brian Eno </b>and <b>Can</b> <b> </b>woven gently into the mood here; so much going on yet your senses are keen to every sound floating through the headphones. </div>
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Liner Notes...as I stated earlier, Silas Neptune and Saskia Maxwell are the "mystics behind the curtain." In addition to playing synthesizers, lead guitar, and bass guitar on this album, Silas is also the keyboard master for <b>Ozric Tentacles. </b>Saskia performs lead vocals and acoustic guitar here and is also quite an accomplished dancer. Ed Ozric, Tom Brooks, and Paul Hankin round out the guest musicians on the album. </div>
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Learn more about <b>Silas & Saski </b>at <a href="https://silasandsaski.com/home?fbclid=IwAR3XhAApyXd5oRUYX4Lbc4MlkBrDDpSzaB3yK-JxaagPNUV6YLyMCMt3I_0">Silas&Saski</a> and <a href="https://www.facebook.com/silasandsaski/">Facebook</a>. Music can be purchased at their <a href="https://silasandsaski.bandcamp.com/releases">bandcamp</a> site. You can also follow along on Twitter <a href="http://silasandsaski/">@silasandsaski</a>. </div>
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There are definite top notes of <b>Adrian Belew's </b>"anything's possible" attitude<b> </b>coming through all three songs. Combined with soundscape aromatics of <b>Robert Fripp</b>, the creativity of <b>Frank Zappa</b>, and the ornate stylings of <b>Pandora</b>, this is definitely music to pacify your aura. </div>
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The ear candy this week is "Magic of Words." The calm that washes over you as the song opens will guide you through the entire EP. Let Saski's soothing voice sweep you across the prog garden as gentle and free as an eagle soaring across the wide open sky. One of the pleasures of<b> Silas & Saski</b> is their ability to make you forget the madness and mayhem of the moment and allow you to fall into that gentle abyss of mystery and imagination...</div>
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So fellow progheads I hope you enjoyed this week's interlude. <b>Silas & Saski </b>will take you to the transcendental side of the prog garden and expand your musical boundaries, much like the <b>Beatles</b> did with <b>Ravi Shankar</b> in the 60's. Every now and then a mind cleanse can be a very good thing... <br />
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So the search for all things prog continues...the prog garden is flush with new music and the Closet Concert Arena is the perfect forum for presenting it all to you. I hope you enjoy the journey as much as I do...until next week...Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-1065378301714795612020-06-09T16:10:00.006-07:002020-06-09T16:10:52.110-07:00Pattern-Seeking Animals "Prehensile Tales"Hello once again fellow progheads and welcome back to the Concert Closet! I trust you are all staying safe and practicing whatever form of social distancing keeps you COVID-19 free and sane all at the same time. This week the search for all things prog stops in with <b>Pattern-Seeking Animals </b><br />
to check out their second album "Prehensile Tales," recently released on Inside Out Music.<br />
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Under the headphones straightaway for an infusion of "Raining Hard in Heaven." This song opens with a bass riff as smooth as meringue on Baked Alaska and just as rich; vocals come over the top while keyboards make their way into your consciousness. The top notes veer farther from the band's <b>Spock's Beard </b>roots than their debut release; planting their own stake in the ground it seems. I detect aromatics of The <b>Strawbs</b> and a touch of <b>Camel </b>in the air. The keyboards seem to enjoy teasing your senses...this should be quite the refreshing week.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTuCJbRGMbt-_y8yMK4WPRC0c3yJzRpjxU0U6LH0IAhLDW1cePm4f0ZOi_zMoGILI-TMfPCLgDTuyYLQ-OqNyNtPC2a-fV4jVrAlHkK7fnfBFidVELdtGc3gR1v-p-YSeWtyzmjrmfZkQ/s1600/PSA+New.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="790" data-original-width="790" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTuCJbRGMbt-_y8yMK4WPRC0c3yJzRpjxU0U6LH0IAhLDW1cePm4f0ZOi_zMoGILI-TMfPCLgDTuyYLQ-OqNyNtPC2a-fV4jVrAlHkK7fnfBFidVELdtGc3gR1v-p-YSeWtyzmjrmfZkQ/s320/PSA+New.jpg" width="320" /></a>Next up is "Why Don't We Run." The curtain rises and the listener is swept into a whirlwind of ardor as the song leaps across origins, backgrounds, and emotions...you feel pulled back from one reality only to find yourself falling into another. The music tastes of western, Asian, and flamenco roots; as if<br />
<b>Pattern-Seeking Animals </b>jetted across the prog garden in search of essential parts necessary to create a greater whole. The top notes here, as with most of the album, are difficult to pin down. There are the obvious whiffs of <b>Spock's Beard</b>, but <b>Pattern-Seeking Animals</b> are cutting themselves free of the umbilical cord as it were with this second release.<br />
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<b>Liner Notes</b>...John Boegehold, Ted Leonard, Dave Meros, and Jimmy Keegan returned to the studio for the band's second album. However, they expanded their sound with the addition of violin, cello, flute, trumpet, saxophone, and pedal steel guitar. The band has really come together on this album and sound as though they've been playing together for years. As with their debut release, everybody takes and shares the spotlight; neither the stage nor the recording studio is overcrowded with egos...which makes for a fantastic listening experience.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjio8R7MV1Xj2PYzgzkfv2K3tJyYeQbDYzz-s66lRPd8XRTttTNqJPOwD4VVaLUSIGZNQypyKacPDoe6v9qz4zSqKlsudir16tB3dQTG8UOvjSgZVjf5qypWHxdzWYKRlyecbC7BS5qCuA/s1600/PSA+2.2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1139" data-original-width="1600" height="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjio8R7MV1Xj2PYzgzkfv2K3tJyYeQbDYzz-s66lRPd8XRTttTNqJPOwD4VVaLUSIGZNQypyKacPDoe6v9qz4zSqKlsudir16tB3dQTG8UOvjSgZVjf5qypWHxdzWYKRlyecbC7BS5qCuA/s320/PSA+2.2.jpg" width="320" /></a>Last song in the queue this week is "Soon But Not Today." The violins are breaking through on this one; the song opens as if darkness is giving way to a new dawn, a new day...a new hope. The tempo picks up and the music takes you on an adventure similar to the one Alice took through the looking glass...nothing is as it seems and everything is yours for the taking. The canvas is splattered with bright hues in no particular sequence or pattern accompanied by streaks of grey that bolster the entire trip. <b>Pattern-Seeking Animals </b>cross many sections of the prog garden<b> </b>as they continue to forge their own unique identity.<br />
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Learn more about the band at their website <a href="https://www.psanimals1.com/">PSA</a> as well as <a href="https://www.facebook.com/psanimals1">facebook</a> and Twitter <a href="http://psanimals1/">@psanimals1</a>. Links to buy both of their albums are on the website.<br />
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The listening teaser this week is "Elegant Vampires." The upbeat tempo is somewhat surprising but very much welcome. <b>Pattern-Seeking Animals</b> land somewhere between <b>U.K.</b> and <b>10cc </b>with this song. Stretch out in the Concert Closet and enjoy... <br />
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And thus fellow progheads another week roaming the prog garden is in the rear view mirror.<br />
<b>Pattern-Seeking Animals</b> has brought their own sound and style to the forefront with this album. The music gets under your skin and inside your head, taking up full residency in your entire being. Might as well go with the flow and ride it out; expanding your prog boundaries is never a bad thing.<br />
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Now off to the next adventure in the search for all things prog. The journey continues; there is so much more to discover...until next time...Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-74099728663268070642020-05-19T18:13:00.001-07:002020-05-19T18:13:02.970-07:00Black Cat 6 "Scratching My Itch"Socially distanced greetings fellow progheads! As the worldwide pandemic continues and nations stay (at least partially) closed, The Closet Concert Arena continues to safely search out prog bands for your listening pleasure.<br />
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This week the journey brings me back to some familiar faces in new places as I check in with<br />
<b>Black</b> <b>Cat 6</b> and their debut release "Scratching My Itch." This album was released on Halloween 2019; thinking it was time for some fun here in the Concert Closet I dug right in...<br />
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First cut to get the laser drop is "You're a Liar." The song jumps in your face right out of the gate. Hard driving guitar with some very solid drum work gets your adrenaline pumping...this should be an exciting week...<br />
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Top notes of <b>Spock's Beard</b> and <b>Dreadnaught</b> run rampant through the headphones and kick at your skull from all sides. This is a band that enjoys playing and performing; you can feel the energy...as striking as a tornado funnel cloud breaking the horizon.<br />
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Next up is "Lose Your Way," another cut with a rough edge, but with the corners rounded just a bit. A prog band that takes the eternal jam session approach to playing; you can almost hear additional performers joining the line-up as the music plays on. <b>Black Cat 6 </b>has found a portal to the classic prog era of the 70's and they are squeezing all the life they can from it. This song has a funk about it that reminds me of <b>Joe Walsh</b> in his <b>James Gang </b>days, but with a stronger ensemble. The drum here lay a solid foundation and the guitar work leaps all over the room.<br />
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<b>Liner Notes...</b>like other bands Neil Citron is involved with, the focus is on the music and not so much the behind-the-scenes stuff. Their home is the USA and they play like you would expect a hard hitting prog band from America to play--straight at you with no warning. Somehow I don't think the name of the band or the album was pulled randomly from a hat...<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyiDVSaLpzMJeu2mA0RNODrvzLFSMQow5eHL4NFB14KqsavQgwE4sT-B6Vj6tB47mHO2SYVLbGt0wnEu3ji0czbjIUaDWDcOosTzuUKbxgoXM64_COySzgZaw-PyCg7Ip1-hRe_CJ-oWQ/s1600/Luke.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="245" data-original-width="206" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyiDVSaLpzMJeu2mA0RNODrvzLFSMQow5eHL4NFB14KqsavQgwE4sT-B6Vj6tB47mHO2SYVLbGt0wnEu3ji0czbjIUaDWDcOosTzuUKbxgoXM64_COySzgZaw-PyCg7Ip1-hRe_CJ-oWQ/s1600/Luke.jpg" /></a>The band is a trio consisting of the aforementioned Neil Citron on guitar, keyboards, and vocals, Luke Fattore on drums, and Jon Pomplin on bass. If you pick up top notes of <b>BangTower </b>you are quite astute; although Neil is the only member of both bands, the hard charging energy from both bands is unmistakable.<br />
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Neil is a Grammy winner, Luke an in-demand session drummer and producer, and Jon started Declassified Records, the label on which this album was recorded. Individually accomplished, collectively occupying territory in the high energy section of the prog garden...<br />
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Last serving of the night is "Saying It Out Loud." More of a ballad feel than the other songs I've listened to thus far, there is a sense of <b>Seconds Before Landing</b> in the air the way emotions drip from every note. Don't be fooled though--the guitar still has that sting to it and the air is heavy with a brooding ardor...the canvas strokes are dark and heavy; <b>Black Cat 6</b> can be quite the mood elevator...<br />
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This week I chose for your listening interlude "Black Cat," mainly for its heavy opening. This one comes at you in a deceptive, creep-up-on-you kind of way; there are top notes of <b>Cream</b> shooting through the headphones. Everything about this song is heavy...it might not be metal but it sure as hell weighs a ton. <b>Black Cat 6</b> is another arena for Neil to just let loose, and Jon and Luke seem all in on the adventure. This is a band for those who have been around the prog garden a few times and remember the fun they had taking that first journey. Pour something with some weight behind it and sit back...<br />
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You can connect with the band and purchase their album on their website <a href="https://www.blackcat6band.com/">Blackcat6</a> and <a href="https://blackcat61.bandcamp.com/">Bandcamp</a>.<br />
They also have <a href="https://www.facebook.com/blackcat6band/">Facebook</a> and Twitter <a href="http://blackcat6band/">@BlackCat6band</a>. You've got time, stat awhile...<br />
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So my fellow progheads, I hope <b>Black Cat 6 </b>made your quarantine a little more enjoyable and a lot more tolerable. One of the things I enjoy about spending time in the prog garden is how big the umbrella is and how diverse the music is when traveling the different side roads in the genre. <b>Black Cat 6 </b>isn't a throwback so much as a reflection of the past cast upon the future. The music may be heavy and even dark at times, but the sun shines brightly on their section of the prog garden.<br />
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And once again the search for all things prog continues...until next week...<b> </b>Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-79560495677905053972020-05-05T18:56:00.001-07:002020-05-05T18:56:35.729-07:00Circuline "Circulive Majestik"Good evening once again fellow progheads! Whether you're in quarantine, a forced lock down, or just plain staying at home for the foreseeable future, I hope you are virus-free, safe, and finding musical pleasure in the prog garden.<br />
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The search for all things prog continues despite the worldwide pandemic, and since the idea of seeing a live show is all but a fantasy until (at least) Autumn 2021, I thought now the perfect time to bring a "live show" to the Concert Closet. So regardless as to whether I'm rubbing salt in a fresh wound or making the best of a difficult situation, welcome to the latest release from <b>Circuline</b>; Circulive Majestik."<br />
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Another band with a strong female lead vocalist; coincidence? Perhaps not...<br />
Once again my headphones are on and the first song to pierce my auditory canals is "Who I Am," with a strong keyboard intro that leads into a soft melodic flow that is reminiscent of <b>Yes. </b>Lead vocals are not only strong they are shared, making for a bit of intrigue I simply cannot avoid...<br />
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Opening the show with "Who I Am" starts the journey with an introspective kick. Right away you are thrust down a rabbit hole of wonder as the piano mesmerizes you. The guitars and percussion pick up on that energy and push you farther along...and then darkness--save the lone candle burning a hole through the center of the canvas. Those double lead vocals burst on the scene, and yes it is extremely captivating. There are aromatics of <b>Supertramp </b>floating through this cut, right down to the bone-chilling wind that blows through as the mood changes. A touch of <b>Camel</b> comes through as well, filling the room with all sorts of energy bursts. A great opening performance...<br />
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Next on the playlist is "Summit." There is somewhat of a <b>Moody Blues</b> feel as the song opens; soft and genteel. The guitar that leads you deeper into the song is smooth like the satin lining of a suede jacket. The vocals wrap around that guitar like a scarf on a blustery day. Top notes are <b>Fairport Convention </b>and <b>Gentle Giant </b>as the music fills the canvas with deep, rich hues. <b>Circuline</b> has put together an album that reaches across the prog garden to satisfy many affluent tastes.<br />
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<b>Liner Notes</b>...Calling New York home, <b>Circuline</b> is a live action definition of what it means to be a band--the contributions of all being necessary to create the whole. With Natalie Brown and Billy Spillane sharing lead vocal duties, Andrew Colyer on keyboards, Alek Darson on guitars, Matt Dorsey on bass, and Darin Bannon on drums, I am reminded of <b>The Band</b> in the sense that everyone makes multiple contributions to the entirety of the project...and it is an impressive ensemble.<br />
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Brought to life in 2014, <b>Circuline</b> is a "Mulligan Stew" of talent; two theatre quality lead vocalists, a keyboard player that attended Julliard, bass and guitar players that channel 70's prog at it finest, and a drummer who connects it all together. Cinematic symphonic prog meets AOR and blows the roof off--without frivolous distractions.<br />
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Get to know Circuline at their website <a href="https://circulinemusic.com/">Circulinemusic</a> and purchase their music at <a href="https://circuline.bandcamp.com/">Bandcamp</a>. There is also <a href="https://www.facebook.com/circulinemusic/">Facebook</a> and Twitter <a href="http://circulinemusic/">@CirculineMusic</a> to stay connected and learn the latest the band has to offer.<br />
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The final spin this week is "Stay Alive." The opening path the song leads you down is once again fraught with sounds coming at you from several directions brought together beautifully by Natalie's vocals. Keyboards and drums work together on this piece to underscore the guitar; so majestic throughout. <b>Circuline </b>channels a bit of <b>The Strawbs</b> here; they truly pay homage to their cinematic/symphonic roots. <br />
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For your listening pleasure I chose "Hollow." I wanted you to get a taste of what this band is capable of; running the gambit from beautiful piano work to intricate keyboards, slick guitars to solid drums and percussion, and of course the dueling vocal stylings. As fine tuned a live recording as anything in my current collection. Sit back and enjoy... <br />
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So fellow progheads, I hope you enjoyed the "live" show from the prog garden this week. <b>Circuline</b> is a band that connects on so many levels, bringing a sound to the Concert Closet that had me more than once checking the calendar to see if I time traveled back to the prog heydays of the 70's.<br />
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Now it's time to look ahead as the search for all things prog continues the journey...until next time...Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-26919138037853912022020-04-28T15:45:00.001-07:002020-04-28T15:45:13.603-07:00The Far Meadow "Foreign Land"Quarantine greetings fellow progheads! Flattening the curve is certainly easier and more tolerable from inside the Concert Closet, so with mask and gloves at the ready let us foray deep into the prog garden and listen in with <b>The Far Meadow</b> on their latest release, "Foreign Land."<br />
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I have always been intrigued by bands--especially prog bands--with a strong female vocalist. One would think the music lends itself to the sultry musings of a strong female voice, yet there seems to be so few in the genre. Rather than lament that fact, let's enjoy those that call the prog garden home. One again, headphones on...<br />
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Opening cut is "Travelogue" and as the curtain peels back slowly there are top notes of<b> ELP </b>spilling out. Keyboards come at you subtly at first, then they explode all over the canvas...just like Keith would do. The vocals are sandwiched between layers of keyboards and drums--and the lady can certainly hold her own. The guitar works its way in and the vocals just continue to wind through the entire piece. The music plays with you; the symphonic roots <b>The Far Meadow </b>prides themselves on give way to a sultry ballad at times...and the bass is reminiscent of <b>Tony Levin</b>. This opening cut offers much; hopefully the band doesn't spend it all in one place...<br />
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Fear not--the second song I drop the laser on, "Mud," keeps the energy needle in the red. The Gothic keyboards and upbeat tempo are strong with aromatics of <b>Dreadnaught and </b>perhaps a touch of <b>Roxy Music </b>to keep it interesting. The drums are a solid foundation to this cut and everything fits like the proverbial glove. The music is smooth as a silk necktie and cool as the zoot suit it's paired with...<b>The Far Meadow</b><br />
demonstrates the ability to make intelligent, well produced music and have fun while doing it.<br />
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<b>Liner Notes</b>...hailing from London, <b>The Far Meadow </b>is a quintet with Denis Warren on lead and rhythm guitar, Keith Buckman on bass, Eliot Minn on keyboards, Paul Bringloe on drums and percussion, and the lady behind those piercing vocals is Marguerita Alexandrou. This is the third album in the band's catalog; the second on <b>Bad Elephant Music.</b><br />
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<b>The Far Meadow </b>released their first album in 2012 and kept an upward trajectory. With a sound that radiates across the prog garden from <b>Yes</b> to <b>Rush</b> to <b>Gentle Giant</b>, this is a band I would love to see perform live...curse you COVID-19 (and that darn trip across the Atlantic)...<br />
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You can learn more about the band at their website <a href="http://thefarmeadow.com/">thefarmeadow</a> and <a href="https://www.facebook.com/thefarmeadow/">Facebook</a>. Feel free to give them a shout out on Twitter <a href="http://thefarmeadow/">@TheFarMeadow</a> as well. Of course purchasing the music is always a great way to support the artist, and you can do just that at <a href="https://thefarmeadow.bandcamp.com/">Bandcamp</a>.<br />
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One last selection to settle into; "Foreign Land." Title cuts are telling to me because they shine a brighter light into the soul of the band. In this case, I get a sense of crystals set on an antique table with lavender scented candles filling the room with a most soothing aroma.<br />
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Marguerita once again caresses you with her smooth vocals...and the tempo picks up a bit. Not so much that the candles are blown out, but your blood is pulsing with a bit more oomph. The song settles into a rather surprising groove as everyone lets their energy flow; you can feel it pumping through the headphones. This is a "sit on the back of the sofa with a favorite beverage and the lights off" kind of moment, so excuse me while I fade to black...<br />
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For your own listening pleasure this week I chose "Sulis Rise," a captivating piece of music. The drums are just enough to keep the entire piece flowing like a silk scarf in a soft breeze, the keyboards cutting through and all the while Marguerita once again crawls inside your head and wraps around your cranium like velvet. Denis uses his guitar to splay the canvas with an array of color that bleeds from soft hues to bold flashes of brightness. <b>The Far Meadow </b>takes you on quite the journey with each song...enjoy the ride... <br />
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So my fellow progheads, once again a fun week of hanging in the Concert Closet winds down. <b>The Far Meadow</b> proved to be a bright light shining across the prog garden. The music gives off a "feel good" vibe the genre needs needs a shot of every now and then...and who can resist vocals that smooth?<br />
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But alas, the search for all things prog continues on its never ending journey...until next time...Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-50793442640576297732020-04-14T17:36:00.001-07:002020-04-14T17:36:51.952-07:00Checking For Echo "The War is Never Won"Welcome back to the Concert Closet fellow progheads! I hope everyone is practicing social distancing and staying safe at home. As the world continues to deal with the chaos and tragedy that is COVID-19, my objective is to bring you everything the prog garden has to offer from new and<br />
low-under-the-radar prog bands and musicians--all you have to is log on and enjoy! This week I catch up with <b>Checking For Echo </b>and their latest release, "The War is Never Won."<br />
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Released in March, "The War is Never Won" is a concept album--pretty much the standard for most new prog albums today. Concept albums rarely deal with light-hearted subjects and this one is no exception. War, its affects on those who served in battle, and why mankind seems to choose this option so often is the inspiration here. I enjoy exploring concept albums not only for the music, but the story behind the curtain; the motivation to put pen to paper and music to disc. Time once again to don a pair of headphones...<br />
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The album opens with a 16-minute piece called "The War Within." The piano bleeds gently as the music begins to pour through your entire body. As vocals begin to wrap around your ears you feel the melancholy mood the song is trying to evoke; the war within can truly be a harsher battle than that which your government sent you to fight.<br />
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But the message is far from being told in its entirety here--indeed the war has just begun. The<br />
opening tune leaps repeatedly back and forth from present to past, painting a picture for the listener of the dark and ugly underbelly of every war ever fought and how difficult the journey back from that pain really is...yes, this will be quite the introspective week...<br />
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Looking over the playlist I found an interesting title; "Imaginary Evidence." Once again soft piano is the canvas, this time snippets of wartime radio and news messages float across the top, balanced with military "rat-a-tat-tat" drum precision. This plays out like old movie footage; <b>Checking For Echo</b> is demonstrating a brilliant ability to look directly into the soul of the soldier and bring to life the emotions and feelings that torment those who "fought the good fight." Was there justification for sending so many to inflict so much damage? Can there ever be enough justification? How does a soldier balance the act of killing on behalf of one's government with the fact that he/she took human life? There are reflections of <b>Seconds Before Landing</b> in this entire album that I find striking...<br />
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Liner Notes...<b>Checking For Echo </b>is the brainchild of Jon Farley. You may remember Jon as part of the duo known as <b>Hollow Moon </b>along with Darren Selesnow. Darren did co-write and play guitar on "The War Within" and the credits list a plethora of additional people who helped Jon pull this entire thing off...but <b>Checking For Echo </b>is ultimately a one-man operation.<br />
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Jon resides in Moray, Scotland and has been wandering the prog garden for quite some time. His work in <b>Checking For Echo </b>is abutted by the aforementioned <b>Hollow Moon. </b>Jon is a multi-instrumentalist/songwriter playing every instrument and note you hear as well as writing all the<br />
lyrics-- except for Darren's guitar and co-writing for "The War Within."<br />
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Jon refers to his work as cinematic prog and the images and visual spectacles his music evokes in the listener certainly qualify it as such. There may not be a music "explosion" the likes of<b> Circuline </b>or <b>Tangerine Dream</b>, but <b>Checking For Echo</b> does find its way deep into your consciousness and allow you to feel the music in a way only cinematic prog does. Learn more about <b>Checking For Echo</b> on <a href="https://www.facebook.com/checkingforecho/">Facebook</a> and purchase the music at <a href="https://checkingforecho.bandcamp.com/">Bandcamp</a>.<br />
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My third foray into the heart of this album is "The Greatest Freedom." The faint sounds of a helicopter fade quickly as piano and vocals rise up to come at you from what feels like another dimension. The colors running softly down the canvas are the soft hues of hope and determination...inside the mind of a soldier refusing to give into the (seemingly endless) onslaught of mental and physical defeat. Regardless of your feelings about war or the governments that start them, the view through the eye of a soldier who saw it all up close and personal adds a new dimension to the kaleidoscope through which we witness the world.<br />
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My choice for your listening pleasure is a bit different this time...a little taste of what to expect from the entire album. I urge you to indulge your curiosity and let yourself feel (perhaps) equal parts uncomfortable and comforted...I believe Mr. Farley himself says it best; "The greatest freedom, it's often said, will come to us all when all else is dead."<br />
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So thus the curtain falls on yet another beautiful performance from the Concert Closet. <b>Checking For Echo</b> crawls inside your head and taps on the thinking part of your brain. Being soothed and challenged at the same time isn't something many can pull off--so enjoy the rare treat.<br />
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Now it's time once again to take the journey in another direction as the search for all things prog continues on...until next time...Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-13947313407689507342020-03-31T17:43:00.002-07:002020-03-31T17:43:38.909-07:00Dreaming Madmen "Ashes of a Diary"Hello again fellow progheads and thank you for making the return trip to The Closet Concert Arena! The world may be in lock down, but the prog garden continues to bring forth new, intriguing, and exceptional music from a plethora of artists. This week the search for all things prog traveled from Austin, TX to Lebanon and back again, checking out the intricate sounds of <b>Dreaming Madmen</b> and their debut album, "Ashes of a Diary."<br />
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"Ashes of a Diary" was released in September; a concept album dealing with raw human emotion. Anyone who has read my blog knows this journey is right in my wheelhouse. Before dropping laser to disc I get a sense that the canvas will be filled with all the colors of the emotional rainbow. I think it's headphones time...<br />
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Starting right in with the opening cut, "Page One." The delicate rise of emotion fills my head space with a deliberate slowness. The guitar methodically creeps into the corners of your mind and all at once a darkness as tangible as cobwebs in the attic wraps itself around your consciousness. There are strong top notes of <b>Pink Floyd</b> running rampant throughout while aromatics of <b>Dream Theater </b>float on top like Angostura Bitters on a glass of scotch; not for the faint of heart...<br />
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Trepidation mixed with nervous giddiness fills the spirit as I wander down the album and discover "Enigma." The band is toying with me again...a dark solitude gets interrupted by strong guitar work lifted up by heavy drum work. <b>Dreaming Madmen </b>hammer you with pulled punches; the keyboards ride a wave through the entire piece to cushion the blows. True to the song's title, this song is an enigma...floating in between worlds that are combative and protective. You feel a pull from both sides of the emotional spectrum as you fall into the abyss...<br />
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Liner Notes...Lebanese American brothers Mathew and Christopher Aboujaoude are originally from Deir El Harf, Lebanon, but also call Austin, TX home. <b>Dreaming Madmen </b>is comprised mainly of said brothers; Mathew handles guitars, keyboards, synthesizers while Christopher has bass and keyboard solos on select cuts nailed down, and the duo shares vocal duties. Filling out the band on their debut release is Ian Geyer on drums and percussion, Rohan Sharma playing lead synthesizers on select cuts, and Caelin Tralongo laying down the vocals for the song, "Your Possesor."<br />
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You can learn more about <b>Dreaming Madmen </b>at their website <a href="https://dreamingmadmen.com/">DreamingMadmen</a> and <a href="https://www.facebook.com/DreamingMadmen">Facebook</a>.<br />
To dig a bit deeper, tag them on Twitter<a href="http://dreamingmadmen/">@DreamingMadmen</a>. And of course you can purchase the band's music at <a href="https://dreamingmadmen.bandcamp.com/releases">bandcamp</a> and <a href="https://music.apple.com/us/album/ashes-of-a-diary/1479453886">applemusic</a>.<br />
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My final song for review this week is "Your Possessor." Sounds come slowly from the darkness, rising gently as they caress your mind. Delicate vocals are entwined with guitar that penetrates your spirit while drums give the song a driving force that cuts through that emotional curtain between heart and head.<br />
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<b>Dreaming Madmen </b>bring human frailty to the forefront with this album without condemning the main character of the story. The lens through which a man's life is viewed is a kaleidoscope of human emotion...sadness for what might have been; regret for moments both lived and lost; love, anger, fear, and perhaps the most human emotion of all--jealousy. Mathew and Christopher take the listener on a roller coaster that runs the gambit of emotion ultimately ending where it began...the heart of a humble man.<br />
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Listen to the clip below, "Behind My Wall" and you will get a sense of how deep <b>Dreaming Madmen</b> are able to go. The music fills the canvas with such an array of mood and emotion you will find yourself challenged to keep up. There are top notes of <b>Porcupine Tree </b>and <b>Nad Sylvan</b> running through the veins of this song...and just when you think the journey is through, you find yourself once more falling into that intoxicating abyss...<br />
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There you go my fellow progheads, another amazing debut for the Closet Concert Arena. <b>Dreaming Madmen</b> venture inside your mind in order to find the path to your soul. The music is deep and rich; mesmerizing you could say. Plunging into the spirit of a life lived--who doesn't wrestle with the "what ifs" life manages to throw at you?<br />
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The search for all things prog continues to roam the prog garden, hoping to find more music like this...captivating, emotional, and overflowing with the sorrow and joy that makes us all human. So the journey continues...until next time...Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-16136319626055924932020-03-17T16:08:00.000-07:002020-03-17T16:08:23.244-07:00Mika Luoto "Seventh Wonder" Hello once again fellow progheads! So much happening in the prog garden as 2020 continues to unfold, and I will continue bringing it to you from the Concert Closet one artist at a time. This week the search for all things prog packed some extra hand sanitizer and surgical masks for an extended flight to Finland to check in with <b>Mika Luoto</b>, a friend I have not followed up with in way too long...<br />
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<b>Mika</b> released his latest album, "Seventh Wonder," in October. <b>Mika</b> has been playing music almost as long as he has been breathing and his catalog is fairly extensive. Did I mention he also plays every instrument and every note you hear? This time around the turntable <b>Mika</b> seems to be in a funky jazz groove, so let's settle into a comfortable leather chair and apply the headphones...<br />
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The album opens with "Tottoroo" and flows into "Buck is Duck" as smooth as a single malt over ice. In fact this entire album is as smooth as a snort of Johnny Walker Blue;<b> Mika</b> absolutely found his praxis and fills the headphones with Finnish prog bliss.<br />
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Moving further down the track list I discover a tune called "Country Rock Guitar Stuff." This time <b>Mika</b> plays as if he's a Roy Clark/Mark Knopfler hybrid; the sultry sounds of a country bar channeled through the AOR styles of an after hours nightclub jam session.<br />
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Liner Notes...for those who missed my first review of <b>Mika Luoto</b> way back in 2016, <b>Mika</b> hails from Oulainen, Finland. He picked up a guitar when he was a teenager and never looked back. His music catalog runs deep; 14 releases deep to be exact. He also records music as his alter ego under the name <b>Musarra</b>...a little bit darker and a heavier edged prog metal. <b>Mika</b> has performed live in large halls, small clubs, and a lot of venues in between. Today he seems to enjoy doing his own thing while hanging out in his own section of the prog garden.<br />
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<b>Mika</b> plays every note and every instrument you hear--he truly is a one man band. Not the only one I follow, but they seem be a dying breed. I for one, am glad they still exist; check out <b>Mika's </b>music and you will be too. You will find "Seventh Wonder" and his other 13 releases at<br />
<a href="https://musicianmikaluoto.bandcamp.com/">Mika Luoto Bandcamp</a>. <b>Mika</b> can also be found on <a href="https://www.facebook.com/MikaLuotoProjects/">Facebook</a> and Twitter <a href="http://mikaluoto1/">@mikaluoto1</a>.<br />
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<span style="text-align: center;">One last song to peel back the curtain on; "What's in That Bag." This cut is bit harder than others on the album, although the funk, blended with a few top notes of </span><b style="text-align: center;">Dreadnaught</b><span style="text-align: center;">,</span><span style="text-align: center;"> is alive and well. <b>Mika</b> might have channeled a bit of </span><b style="text-align: center;">Musarra</b><span style="text-align: center;"> on this cut...nothing wrong with that.</span><br />
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OK; time for the ear candy..."Autumn Vibes." I chose this song because <b>Mika</b> is deep into that late night jazz mood I spoke about earlier. I pick up top notes of <b>Les Dudek</b> and <b>Al DiMeola </b>running through my auditory canals; <b>Mika Luoto </b>paints a vivid picture with that guitar. I get aromatics of <b>Gaillion </b>and the <b>Pat Metheny Group</b> cursing through this album as well; enjoy...<br />
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So fellow progheads, another entry for the prog garden sprouting up in the jazz section. <b>Mika Luoto</b> has been traversing the prog garden for quite some time. While I listen to much of his catalog, I am impressed with his drive and ambition; his determination to bring a new sound to every album he releases. The search for all things prog has found a "sleeper" in the midst; hopefully that will change with this release.<br />
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Now of course it's time to continue the journey and take the search for all things prog on to new adventures...until next time...Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-57912333391180917462020-02-25T19:28:00.001-08:002020-02-25T19:28:40.006-08:00Seconds Before Landing "Cosmonaut"Happy New Year fellow progheads! The Closet Concert Arena has finally made its 2020 debut. Apologies for the delay as the Concert Closet changed zip codes; already the prog garden is at flood stage with new, amazing, and absolutely stunning music. <br />
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Since this is my first post of the new year I wanted it to be something special. Recently I've been in touch with <b>John Crispino</b>, the brains and insightful mind behind the sounds of <b>Seconds Before Landing. </b>Whenever John has a new album out I am filled with the same excitement a child has on Christmas morning; I know it will be a unique collection of music that John has immersed himself in from start to finish. On a par with <b>Scarlet INside, Seconds Before Landing</b> is music that I love to get lost in knowing the journey I am about to undertake will be not only like no other I've taken before, it will differ slightly each time I travel the path. So I bring you "Cosmonaut," the latest independent release from <b>Seconds Before Landing.</b><br />
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<b><br /></b>This is a concept album...if you're familiar with <b>Seconds Before Landing </b>and <b>John Crispino</b> at all this comes as no surprise. John is a master at creating a story, painting a most vivid picture with music and song...breathing life into what would otherwise be a two dimensional illustration. This the tale of Russian cosmonauts Yuri Gagarin and Vladimir Komarov...and so we begin...<br />
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The opening "Weightless" bleeds right into "Life." The technical sounds of an engineering room give way to a softer mood...a gentler tone. Female vocals/spoken words spill through the headphones as a young wife tells her husband she has given him a son...and the saga begins. You are then totally engrossed in the soft sounds of life, much like the opening of the <b>Yes</b> classic "Close to the Edge." The guitar work is mesmerizing; close your eyes and be swept away on a journey through time and space... <b>Seconds Before Landing</b> pulls you in as few others can.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwSmQ2ftr6qDW9fpP6goIU2cVOdXHhWHjJANrQJomO3mvfuat5r75bY58Hq8J593DDOVgW5BBchoBeHAmPniUT6WPbZshcByS8MqjlrJ1uZk2jge1IknKsC-hdRPnTKxfxfVSJusYB1mI/s1600/SBL+Cosmonaut+II.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="200" data-original-width="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwSmQ2ftr6qDW9fpP6goIU2cVOdXHhWHjJANrQJomO3mvfuat5r75bY58Hq8J593DDOVgW5BBchoBeHAmPniUT6WPbZshcByS8MqjlrJ1uZk2jge1IknKsC-hdRPnTKxfxfVSJusYB1mI/s1600/SBL+Cosmonaut+II.jpg" /></a>Moving along I discover more inspirational visions poring forth from the headphones; "My Best Friend" and "March Into Klushino." John truly has a gift when composing an album; his ability to delve so deep into the story he's telling makes you feel as though you're right there with him. As these two pieces give the back story to the relationship of Yuri and his brother Boris, what come through the headphones is so much more than music--the story truly is coming to life...<br />
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Liner Notes...Although <b>Seconds Before Landing </b>has many hands and faces behind the microphone, the band truly begins and ends with <b>John Crispino</b>. He is so much more than simply the man behind the music and his music is so much more than simply notes played together. There are a few members of the prog garden I categorize as artist first and then musician; John is a strong representative of that select group.<br />
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Despite taking on the role of composer and vocalist, playing drums and synthesizers, John would be the first to say his work would not be nearly as good without the contributions of others. He has assembled an impressive group; two-time Grammy winner and Pink Floyd engineer Andy Jackson mastered the album. Musicians include Eric Maldonado, Steve Schuffert, and Rick Witkowski on guitars; J.D. Garrison and Guy Bar Tor on bass; Jamie Peck on piano and sax; and Vanessa Campagna does all the female vocals. But they aren't the life source of <b>Seconds Before Landing--</b>John Crispino is, and it's his vision being realized as the sound pours through your headphones.<br />
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It is difficult to do a concept album such as this justice by hopping around and reviewing intermittent songs, yet I find myself doing exactly that. The album moves in a timeline and I am making but a humble attempt to present that to you. This next song, "One Minute to Launch," reminds me of <b>Pink Floyd</b> in their "Atomic Heart Mother" and "Meddle" days...interludes that connect the songs to each other, giving the canvas a third dimension which allows the listener to ride along on an incredible journey.<br />
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The final song to grace the headphones this evening is "Oh How I Miss You." Vanessa is stunning as she gives the perspective of Komarov's grieving widow. Her voice pierces the membrane in your eardrum and flows directly to your heart...you can almost see her sitting in a chair wearing one of Vladimir's favorite shirts, staring into the void that took the love of her life.<br />
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If you haven't already, you can follow <b>Seconds Before Landing </b>at <a href="https://secondsbeforelanding.com/">Seconds Before Landing</a> and also on <a href="https://www.facebook.com/SBLMusic/">Facebook</a> and Twitter <a href="http://sblofficial/">@SBLOfficial</a>. You can purchase the album at <a href="https://secondsbeforelanding.bandcamp.com/">SBL Bandcamp</a><br />
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I offer you but a teaser this week...one minute plus that sets the tone for what you will find when you make the purchase. The air is solemn and dark...the mood foreboding. Modern day prog has a classic storyteller you will want to hear again and again. <br />
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I put <b>Seconds Before Landing</b> in a category with modern day prog artists <b>Scarlet INside</b>, <b>Deep Energy Orchestra</b>, and even <b>Kaprekar's Constant </b>and <b>Dreadnaught</b>. Not because they share similarities in sound, tempo, or mood--but because they choose to stand alone. Direct comparisons are difficult despite the fact that the musicians have been in several bands prior to joining this latest group. Indeed every song, every lyric, even every note is unique unto itself. John's ability to leave all of his previous musical accomplishment at the door prior to entering the studio and create something solely for itself to stand alone among the masses is truly remarkable.<br />
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I hope the wait was worth it fellow progheads! <b>Seconds Before Landing </b>can be an acquired taste, but well worth the investment. With so much more on the horizon I feel a sense of urgency to continue the journey...so the search for all things prog continues...until next time...Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-43492491395836241572019-12-17T16:33:00.002-08:002019-12-17T16:33:30.222-08:00'Tis the Season to Celebrate All Things ProgSeason's Greetings fellow progheads! I am absolutely dumbfounded with how fast the sands of 2019 fell through the hourglass. This is the time of year the Concert Closet takes a look back at everything discovered these past 12 months, thanks you my faithful followers for coming back week after week, and posts some holiday music to keep it festive.<br />
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Before I begin with words...I think a joyful musical opening from <b>Jon Anderson</b> is appropriate; a perfect Christmas singing voice if there ever was one...<br />
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If you've been following this blog for any length of time, and I certainly appreciate all of you who do, you know I am not one to post a best of, top releases of, favorite albums of, or any other subjective list that arbitrarily ranks 2019 prog music releases. I started this blog more years ago than I can believe to help promote the new and up and coming prog bands and artists looking to stake out their acreage in the prog garden. I also enjoy those that have been around the Concert Closet a while, managing to somehow stay low under the radar. So to that end I prefer to shine a brighter light across all the wonderful music the prog garden has to offer and let you the listener decide.<br />
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However; a slight twist this year as I take a look back at the music that filled the Concert Closet these past 12 months and look ahead to what 2020 has in store...so much good prog and so little time...<br />
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I opened 2019 with a review of <b>Kaleidoreal</b>, a hard charging eclectic group from Sweden. This is the type of band that challenges the naysayers who claim prog is dying a slow miserable death. If you truly are a proghead then you live for the next incarnation of the genre..."Prog Yet to Come" if I am allowed to paraphrase another Christmas classic...<br />
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What followed was some fun music; <b>Shineback, Kinetic Element, The Inner Road, The Steve Bonino Project, </b>and <b>Sproingg</b> to name but a few. These are bands and musicians that truly enjoy their craft, don't take themselves too seriously, and yet are able to bring quality prog to the listener.<br />
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Of course the prog garden also has those that are quite meticulous; <b>Lonely Robot, Deep Energy Orchestra, Abstract Aprils, </b>and <b>Coma Rossi</b> come to mind. Serious in craft but not so much that emotion and feeling are lost in translation.<br />
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Still others fall somewhere on either side of the prog garden divide; <b>Crocodile, Sir Chronicles, Oceanica, Machines Dream, Pattern-Seeking Animals, Apostles of Chaos, Nad Sylvan, </b>and <b>The Emerald Dawn</b> take up acreage here. Prog that can get under your skin, flow over your consciousness, or just relax you after a long day.<br />
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And so we reach another break in the deluge of words for a second holiday treat for the ears...<b>Trans Siberian Orchestra</b> is masterful at taking timeless classics and bringing them into the modern world...enjoy...<br />
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As 2019 draws the curtain for the final time I want to first thank all of you for immersing yourself in my world. Progressive music is so much more than a respite from reality--it's an alternate universe that allows the listener to get lost in a world of sound that fills the mind and spirit with a soothing balm...<br />
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One last holiday clip, an updated version of a personal fave. It just isn't Christmas without <b>King</b> <b>Crimson</b> and some <b>Frippertronics</b>...<br />
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As 2020 draws closer, I hope to bring you more new bands, new releases, and (hopefully) interviews with some of the up and coming prog musicians of today. Look for new music from <b>Seconds Before Landing, Scarlet INside, Hats Off Gentlemen It's Adequate, Different Light, Happy Graveyard Orchestra, </b>and more.<br />
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So celebrate the holiday season however you choose. Relish the time with family and friends, and please come back when the curtain rises on the continued search for all things prog 2020...<br />
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Happy Holidays...until next time...Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-7872169062751871742019-12-10T16:17:00.000-08:002019-12-10T16:17:03.112-08:00Mark Rowen "Radiance"Glad to have you back fellow progheads! The search for all things prog is quickly honing in on 2020 yet there is still so much of the 2019 crop waiting to be harvested. Wandering across the prog garden I am awash in so many great artists and bands offering their sound for your listening pleasure, I almost don't know where to begin. However; I did stumble upon an independent artist with a great debut album; join me in checking out <b>Mark Rowen</b> and "Radiance," released in September.<br />
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Getting right to it, I begin with "My Shadow Walks Alone." Strong guitar opening bleeding right into crisp female vocals, a pleasant surprise. A solid percussion foundation keeps the song balanced with top notes of <b>Animal Logic </b>echoing through my headphones...an excellent way to start the week...<br />
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Moving down the playlist I notice an interesting song title; "Lure of the Siren." As the washing up on shore intro fades to a beautiful acoustic guitar, I am once again mesmerized by Lisa's vocals; they are quite alluring. The canvas darkens; the mood changes while the tension rises. The atmosphere goes from sultry dark to the brighter colors of the night as drums and guitar once again fill out a song reminiscent of <b>Gandalf's Fist </b>with a good healthy pour of early <b>Kansas</b> added for effect. The name on the album cover may be <b>Mark Rowen</b>, but he has surrounded himself with quite the supporting cast, which leads me to...<br />
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Liner Notes...Calling Harrogate UK home, <b>Mark Rowen</b> has spent years playing guitar and building his reputation. All that hard work paid off in September with the release of this debut. <b> Mark </b>plays guitar along with keyboard programming and providing backing vocals. Joining him on this endeavor are <b>Lisa</b> <b>Box </b>with those superb lead and backing vocals, <b>Leigh Perkins</b> on keyboards and backing vocals, <b>Paul Teasdale</b> on bass and backing vocals, and <b>Barry Cassells</b> on drums. Mark came to play music the way most do--the sound of a guitar hero pulling him in. For Mark it was <b>Robert Fripp</b> at first then <b>Django Reinhardt</b> and <b>Pat Metheny</b>. Go big or go home as they say...<br />
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You can purchase the album at <a href="https://markrowen.bandcamp.com/releases">Bandcamp</a> and follow Mark on <a href="https://www.facebook.com/pages/category/Album/Radiance-by-Mark-Rowen-2282773168417388/">Facebook</a> and <a href="https://makalro.wixsite.com/website">MarkRowen</a>.<br />
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One last drop of the laser, this time on a cut called "Trick of the Light." The percussion stands front and center here, balanced perfectly with Lisa's vocal work. The top notes are T<b>he Inner Road</b> and<br />
<b>I Am The Morning</b>. This song is so simple yet so deep; as it pours through the headphones you just want to fall into the sound.<br />
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The clip below is "Carousel" and it is the perfect piece to close out with...the curtain falls slowly as the piano plays gently, once again allowing Lisa's haunting vocals to echo on. When the album ends you will want to start it again and let it play on a continuous loop while you sink deeper still...<br />
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So fellow progheads, a new entry to the Concert Closet that defies a hard label. Staying mainly in the experimental and symphonic sections of the prog garden with hints of AOR and jazz, <b>Mark Rowen </b>appears to be an artist who avoids being defined absolute and forced into a pigeonhole.<br />
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Now once again the search for all things prog continues...until next time...Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-78387091172577537882019-12-03T14:54:00.002-08:002019-12-04T16:35:51.620-08:00Nad Sylvan "The Regal Bastard"Hello fellow progheads! Extremely grateful to find you back here in the Concert Closet; with all the holiday chaos and mayhem starting to take up your time I appreciate the inclusion. This week the search for all things prog took me once again to Inside Out Music and the latest release from <b>Nad Sylvan</b>. Back in 2017 I reviewed "The Bride Said No," the second part of a vampirate concept trilogy. This past July,<b> Nad</b> completed the set with album #3, "The Regal Bastard." Remembering the pleasure derived from his previous work, I am very eager to dive into his latest creation...<br />
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Timing a vampirate concept album review to coincide with the holidays is atypical for some perhaps, but it fits right in with my "don't follow the crowd" way doing things. First song to pulse through the headphones is the title cut. Not an ominous outpouring as you might expect; this is a much more eloquent piece. The keyboards flow like billowing satin, wrapping themselves around strings that are as relaxing as they are intoxicating. As <b>Nad's</b> vocals fill your mind, the guitars and percussion come from below and envelope the entire piece. The tempo picks up as does your pulse...just ride it out... <br />
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Now the mood is set--this is not a commonplace album dealing with the world of vampirates...not at all. Going farther along the playlist I discover "Oahu." Here is that dark, "walk through the haunted woods" song I was anticipating--but nothing on this album is as it seems. <b>Nad</b> confounds your senses as he continually builds a tension that threatens to tear the veil between two worlds, only to calmly settle back into a solemn, restful serenity...<br />
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Liner Notes...<b>Nad </b>kept "the family" together for this album; just about everyone from "The Bride Said No" turns up on one or more tracks on "The Regal Bastard." <b>Steve Hackett, Tony Levin, Guthrie Govan, Nick D'Virgilio, Jonas Reingold, Nick Beggs, Sheona Urquhart, Jade Ell, and Tania Doko</b> and more make this not only a crowded studio, but an A-List one as well.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9DgI7_Y-E1fJnK8bfJqTByJB49lpTtiiyCu_iWg02rgmjwIGyuFXvyRP-ibFy9pXcbNbYiK8VuXjJi1WmXHj-ZfK-X6qJr5f9LmpFRlLsMI1V20d3eotQ18djMvo9uOF-D6ZcgwwGbFA/s1600/Nad+Sylvan+IV.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1108" data-original-width="1600" height="138" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9DgI7_Y-E1fJnK8bfJqTByJB49lpTtiiyCu_iWg02rgmjwIGyuFXvyRP-ibFy9pXcbNbYiK8VuXjJi1WmXHj-ZfK-X6qJr5f9LmpFRlLsMI1V20d3eotQ18djMvo9uOF-D6ZcgwwGbFA/s200/Nad+Sylvan+IV.jpg" width="200" /></a>For this album <b>Nad</b> not only played guitars, keyboards, percussion, and laid down the vocals--he also wrote, arranged, produced, and mixed the record. Even the album art was his inspiration brought to life. When you know what you want...<br />
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<b>Nad Sylvan </b>also<b> </b>has quite the resume; in addition to his solo work, he has performed with <b>Unifaun, Agents of Mercy, Karmakanic, </b>and <b>Steve Hackett's Genesis Revisited. </b><br />
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The final selection for review this week is "Honey I'm Home." Quite the ornate piece; I'm reminded of <b>Spock's Beard </b>and (ironically enough) early <b>Genesis. </b>For an album whose concept is the world of vampirates--the final chapter in the trilogy--it is extremely upbeat. Perhaps that's the point; the final song in this three album set brings you home, and isn't home supposed to be your sanctuary? <b>Hackett's </b>guitar work on this cut is absolutely brilliant. Wrap yourself in this instrumental send-off and feel the grime of the world wash away... <b> </b><br />
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To purchase this latest release and more go to <a href="http://www.nadsylvan.com/">NadSylvan</a> or <a href="https://www.insideoutmusic.com/">InsideOutMusic</a>. You can also follow <b>Nad</b> on <a href="https://www.facebook.com/Nadsylvanartist">Facebook</a> and Twitter <a href="http://sylvanofficial/">@SylvanOfficial</a>.<b> </b> <b> </b><br />
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Your ear worm this week is "I Am the Sea." Fittingly, the song opens as if you're in the attic of an old Victorian mansion and the light of the full moon fills the room, accented by a flickering candle. This is that eerie, obsessive song you want from a vampirate trilogy. <b>Nad </b>is a master at making each song--even on a concept album--entirely unique unto itself. <b>Guthrie Govan </b>is the guitar virtuoso on this cut, and he works with the drums to create an atmosphere that strikes you from all around. Let this song creep into your head and melt your subconscious... <br />
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Another seven days, another great prog garden discovery. As a fan of the concept album, I was especially intrigued by this "concept trilogy." <b>Nad </b>had a vision and carried it all the way through; the fact that it took four years to complete while he was involved with other projects just speaks to his desire and determination.<br />
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Much of prog music dives deep, getting into one's soul and finding the nerve that drives you. Sometimes it's just a relaxing stroll through the inner workings of the mind; other times the music just explodes all over the inside of your head. Regardless of the reason why you came to the prog garden, it is the pleasure and joy you find that keeps you coming back. <b>Nad Sylvan</b> seems to get that; even when he goes deep he still seems to absolutely enjoy what he's doing. When the artist exudes positive energy--even on a vampirate concept album--the music can't help but be good.<br />
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And now the part of the blog where I tell y<span style="background-color: white;">ou</span> the search for all things prog continues on...until next time...Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-42107415297849816222019-11-19T14:30:00.000-08:002019-11-19T14:30:02.974-08:00Rise Twain Welcome once again fellow progheads! I have been trying to keep up with all the prog garden has to offer, but with so much new music out there I may never get ahead of the curve--not that I'm complaining. The Concert Closet has been open 24/7 lately and it seems the new crop of music continues to fill all the available space. This week I dove headlong into an album released in September by <b>Rise Twain. </b><br />
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Recording on the Inside Out Records label, <b>Rise Twain</b> brought two prog greats together to create something uniquely their own. Not exactly a new practice in the prog garden, but it does usually result in some great prog music...<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3MWEmTSDTDlUBx1O76MjzgMSSkVJoESLKT2fLrKRLvQkWXcfwMukb6Ho2dTOlKj92jFBt6iW30YyNkgM4wJWvcq72DMqca5bqarW_oj9I3cw3kwea0eDmJ5utbi1aKX7rBfFRV3YeunA/s1600/Rise+Twain+II.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="267" data-original-width="400" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3MWEmTSDTDlUBx1O76MjzgMSSkVJoESLKT2fLrKRLvQkWXcfwMukb6Ho2dTOlKj92jFBt6iW30YyNkgM4wJWvcq72DMqca5bqarW_oj9I3cw3kwea0eDmJ5utbi1aKX7rBfFRV3YeunA/s200/Rise+Twain+II.jpg" width="200" /></a>The Concert Closet opens with "Death of Summer," a song that starts out quite poignant; floating on a serene lake reflecting moonlight in early autumn. The guitar sits just outside the perimeter and tugs at your inner ear while the drums underscore full vocals that penetrate deep. This is the type of song you leave on a loop and let wash over you repeatedly all night...a soothing balm for all the ails the day manages to hurl at you.<br />
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Moving along the disc I found "Into a Dream." The solitude that pours from this song is striking. Vocals harmonize beautifully in front of a guitar pulling emotions from every note. <b>Rise Twain </b>take up acreage in the thought provoking section of the prog garden; I sense top notes of <b>Echolyn </b>(no surprise)<b> </b>lolling about on this cut. The music enters your soul via the headphones and quietly permeates your entire being, slowly flowing out through your pores...let it flow...<br />
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Liner Notes...hailing from the metropolis known as Philadelphia PA, <b>Rise Twain </b>is the duo of Brett William Kull on guitar, bass, keyboards, percussion and vocals, and Jeremy David Beck on piano and lead and backing vocals. Having worked together previously, they both knew that a joint project was inevitable and bound to be something special. Both artists have extensive solo and group work in their respective catalogs; this debut is but another feather in two well defined caps. They remind me of <b>Eno </b>and <b>Byrne </b>in that their sound draws from each of their careers yet takes a somewhat different trajectory.<br />
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One more song in the queue; "Falling Skies" is the right elixir to end the evening on. Jeremy's vocals are smooth like corduroy and soothing like a single malt. The canvas displays an ever-so-genteel colorscape of moods; the bright lights fade to subtle hues before washing into soft pastels. There is an intimacy on this album that echoes <b>Jonny Lang </b>and <b>Atlas Volt</b>.<br />
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You can find this album and more releases under the Inside Out label at <a href="https://www.insideoutmusic.com/index.aspx">Inside Out Music</a>. The band also has <a href="https://www.facebook.com/risetwain/">Facebook </a> and Twitter <a href="http://risetwain/">@RiseTwain</a> for those so inclined.<br />
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Please enjoy this week's musical interlude, "Golden." The guitar opening here is a bit racier than other cuts on the album; just another example of the vast range <b>Rise Twain </b>has. The tempo reins itself in quickly and the mood settles into an AOR experience. There are hints of latter-day <b>Peter Gabriel</b>; thought-provoking music that the prog garden never gets too much of. A brooding throughout rises deliberately and with just enough force to fill your spirit with positive energy. Dim the lights, settle in, and fuel your mind...<br />
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Alas my fellow progheads, we have reached the end of another incredible week one ore time. <b>Rise Twain </b>is a wonderful blend of two stellar artists, each that much better for the collaboration. There are many great bands and artists in the prog garden, but it is a select few that inspire the way this album has...at least for me. <b>Rise Twain </b>is music to get lost in, much the way <b>Robert Fripp's</b> soundscapes just take you away.<br />
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Of course the Concert Closet is always happy to keep the search for all things prog on the move, so the journey continues...until next time...Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com0tag:blogger.com,1999:blog-819404047076867544.post-71546095590837583882019-11-12T17:09:00.002-08:002019-11-12T17:09:45.801-08:00Oceanica "One Dark" Hello once again fellow progheads, and welcome to another leg of the journey on the search for all things prog! This week the Concert Closet took the intensity up a notch or two as I decided to spend time with my friends over at Progressive Gears Records. Recently, Ben Harris-Hayes, who many of you will recognize from <b>Enochian Theory</b>, released his debut solo album "One Dark" under the name <b>Oceanica</b>. There is always something afoot over there at Progressive Gears, so I was very eager to give this a spin...<br />
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Being somewhat familiar with <b>Enochian Theory</b>, I am expecting nothing short of a wild ride through emotions, tempos, time changes; just another day in the prog garden you might say...<br />
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I open things up with "Start From The Start" and the immediate imagery is striking; a carnival ride to chaos perhaps. The guitars start out slow but quickly pick up the tempo as drums fill the song out and lead the listener across the many emotions of the prog garden. Ben's vocals are strong enough to ride the current, but his guitar work shines the brightest on this cut...stings you right at the base of your auditory canals. I get the feeling <b>Will Geraldo</b> has his fingerprints on this album somewhere...<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr80tAMXO-aMWkWHMAxG_OnaeV_TYXNSOuMwNTbYetZ02HKQvFyrvy828dyOfNqG4qg4mrqCsKhFAWB_OxnuEFWcClIWbWcTJ4TerloOKO13t5wvQv3MnA_hkKLlxTgPh9IyE3bipXFG8/s1600/Oceanica+IV.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="200" data-original-width="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr80tAMXO-aMWkWHMAxG_OnaeV_TYXNSOuMwNTbYetZ02HKQvFyrvy828dyOfNqG4qg4mrqCsKhFAWB_OxnuEFWcClIWbWcTJ4TerloOKO13t5wvQv3MnA_hkKLlxTgPh9IyE3bipXFG8/s1600/Oceanica+IV.jpg" /></a>Next up is "The Rose, Abloom." Right away the canvas bursts with bright colors that run pale as emotions pour through the headphones...guarded for a split second--then leaving nothing behind. The "leaping all over the prog garden" style reminds me of <b>Gentle Giant</b>. <b>Oceanica </b>takes you crazy high and gloomy low; it is an extreme mood elevator ride--an experience you will relish. The keyboards on this cut are like a veil between two worlds; delicate and soft as you ride a gentle wave of serenity, then screeching through the headphones as you fall into a boisterous abyss...<br />
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Liner Notes...<b>Oceanica </b>is Ben Harris-Hayes, hailing from Brighton UK. This really is a one-man show; Ben wrote the songs, played the instruments, laid down the vocal tracks, and even did the mixing and mastering. I believe the only thing Ben didn't do was design the album cover...but I could be wrong...<br />
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When he isn't setting the standard for what it takes to make a solo album, Ben also plays guitar and keyboards for <b>Enochian Theory. He even </b>handled vocals and song writing for the band's swan song album in 2013, after which <b>Enochian Theory </b>took an indefinite hiatus. Following that, Ben put all his effort into creating this solo album. You can follow Ben on<br />
<a href="https://www.facebook.com/ben.harrishayes">Facebook</a> and Twitter <a href="http://benharrishayes/">@BenHarrisHayes</a> and find the link to purchase his music at the Progressive Gears Records website <a href="https://progressivegears.bandcamp.com/album/onedark">PGR Oceanica</a>.<br />
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Third in line for review this week is another song that fills your head with wonder, "Oubliette." There are aromatics of <b>Opeth </b>laying<b> </b>atop this song, blending nicely with hints of <b>Porcupine Tree </b> and <b>New Order. </b>Ben is very good at leading the listener down a path lined with so many alternate routes and allowing you to lose yourself deep in the music...enjoy the free fall...<br />
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The ear worm this week is "The Oblivion Tree," a song that opens with a dark canvas gently bleeding. The keyboards and strings flow so delicately, like ribbons of sound floating though your head. There are top notes of <b>Under the Psycamore</b> in this piece...let them caress your spirit...<br />
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Once again fellow progheads we've reached the other side of the rainbow. <b>Oceanica</b> was seven days awash in abundant waves of emotion. Ben Harris-Hayes crossed so much of the prog garden with this album; striking a gentle chord one minute and snapping a guitar string with ferocious intensity the next, all the while keeping the listener enthralled with music that runs miles deep.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggIcVmaW5MQLzZWI3UTr93VKchnH50nVvwOYWtnNstzTCtCIMQ_52dEC7U793iNvUZ9F3B2ew4XSReSqsIeZ_3xq2Hwec-g1LA2k8DPdwTQCYXVf8uL8aDX8i5ilKJ6szIX7IyKzza_uI/s1600/Oceanica+III.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggIcVmaW5MQLzZWI3UTr93VKchnH50nVvwOYWtnNstzTCtCIMQ_52dEC7U793iNvUZ9F3B2ew4XSReSqsIeZ_3xq2Hwec-g1LA2k8DPdwTQCYXVf8uL8aDX8i5ilKJ6szIX7IyKzza_uI/s200/Oceanica+III.jpg" width="200" /></a>If <b>Enochian Theory</b> returns from hiatus I will be very intrigued as to the journey their sound takes...if not, <b>Oceanica </b>is sure to keep Ben busy for the foreseeable future. The ability and desire to strike out on another path made this album--at least for me--a must listen. Having allowed the music to wash over me, I am grateful for the opportunity.<br />
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And once again the Concert Closet takes the search for all things prog onward. The journey (hopefully) never ends...until next time...<br />
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<br />Closet Concert Arenahttp://www.blogger.com/profile/03617111064370602507noreply@blogger.com1