Tuesday, July 11, 2017

Machines Dream "Black Science"

As always thanks for coming back to the Closet Concert Arena fellow progheads!  So much music to review and seemingly so little time...Bent Knee was quite the prog experience, and as the search for all things prog continues to prove, the prog garden is comprised of extremely vast and varied talent and this week is no different...

Traveling north to Canada, I am checking in with a band that is a member of the Progressive Gears family of prog artists; Machines Dream.  Having been previously been reviewed here in the Concert Closet, Machines Dream has recently released a new album entitled "Black Science." Exciting and a bit rewarding to see them continuing their journey through the prog garden.


The album is a concept of sorts, dealing with war through history and the mark it left on those who served their countries and railed against the death and destruction...and of course the sad truth that man seems unwilling and/or unable to learn from his past mistakes.  Strong statements and powerful imagery are sure to abound, so let the review begin...

The album opens with a Big Brother-esque intro called "Armistice Day."  The voice-over in conjunction with the control room sounds in the background lead one to believe the forthcoming experience will be a foreboding journey down into the darker regions of man's soul.  As this song bleeds into the next cut, "Weimar," I pick up a tension that is both musically fascinating and emotionally draining...Machines Dream is cutting deep through many levels with this album.  This song has top notes of Pink Floyd wafting like plumes of smoke with perhaps a hint of Genesis caught up in the aromatics.  Machines Dream changes tempo and mood several times throughout, much like Dream Theater freewheelin' the mood elevator on "Scenes From A Memory."

Moving a bit farther down the buffet line, I discover the title cut.  I always enjoy playing title cuts over and over as they tend to give more insight into what the artist/band is trying to convey with the entire album...or perhaps I just overthink things.  Either way, this particular one digs its talons in deep and forces you to focus and listen.  Opening with gentle keyboards, the song quickly bores through to the marrow and enters your bloodstream, moving through your entire being like blood pumping through stretched arteries.  There is a tension riding across the top of the entire piece like a razor held close to the jugular by a desperate kidnapper...just stay calm...

Machines Dream seem to prefer surveying the thicker, denser section of the prog garden and this next serving is another example; "Heavy Water."  There is a narrative running through this album which taps you on the prefontal cortex...almost subconsciously getting you to pay closer attention to what is being said/sung as much as the music it is wrapped in.  The piano here isn't portentous or menacing, but rather a warning sign of the serious subject matter you are being immersed in.  The drums hold everything together as the mood continues down a dark tunnel...

Liner Notes...Machines Dream is Craig West on lead vocals and bass, Rob Coleman on lead guitar, Brian Holmes on keyboards, Jake Rendell on all things acoustic and backing vocals, and Ken Coulter on drums.   Hailing originally from Ontario Canada, the band is on Progressive Gears Records, which has quite a stable of young progressive talent.  Machines Dream refer to themselves as atmospheric, cinematic prog, and while this album continues that theme--they are more than that.  "Black Science" delivers on the prog front with an ornate sound you would expect from a band that moves through the artistic section of the prog garden. But they also deliver meaningful, hard-hitting lyrics that make you stop for a second.

Check out Machines Dream on their Facebook page Machines Dream FB and Twitter @MachinesDream.  You can purchase this album and the rest of th Machines Dream catalog at their Bandcamp site Machines Dream BC as well as the Progressive Gears website Machines Dream PGR.  By now you know my feelings in regard to buying the music and supporting the bands and artists here in the prog garden, so I will refrain from my usual rant...just please buy this music...




To that end I am not posting a video clip this week, but suffice to say "Black Science"--and all Machines Dream has pressed into vinyl and disc--is a sound you need to hear top appreciate.  One last song for review...to get your prog appetite whet as it were..."Noise to Signal."  Once again the opening draws from history to give you a glimpse of the future as drums and guitar suddenly wash over your ears like lava erupting from what was thought to be an idle volcano...no reason to panic, just pay close attention...

And with that we are ever closer to the pulse of prog.  Machines Dream mixes a classic sound; parts Pink Floyd, Genesis, Marillion, and a touch of Gentle Giant carrying the portent of the world around us today.  The beauty of the prog garden is the relevance of the music to its surroundings...Machines Dream captures that essence and drives the point home like an archer's arrow through the bulls-eye. Grab it and take all it has to offer...

Now, as the sand drops from the hourglass for the week, the Concert Closet continues the search for all things prog as the garden continues to offer a rich summer harvest...until next time...

Tuesday, June 27, 2017

Bent Knee "Land Animal"

Welcome back once again fellow progheads!  And for those of you entering the Closet Concert Arena for the first time, thanks for stopping in!  The "2017 Album Review Tour" continues on as the search for all things prog checks in with a band  occupying acreage in the prog garden few artists have entered.  Bent Knee has recently released their new album "Land Animal" and I have had the pleasure of listening to it these past 168 hours.
Bent Knee has graced the Closet Concert Arena more than once; since unearthing this band I have been listening intently and falling deeper into their sound.  Much the way King Crimson blazed a trail with their debut release--and remain peerless to this day--so too Bent Knee has been forging their own way.  Moving in and out of sub-genres of the prog garden, this is a band you really need to digest fully...each song is an adult dose.  Open that inner door and let a new experience burst through like waves crashing over a catamaran on the open sea...

The albums begins "innocently" enough with a tune called "Terror Bird."  Opening with an almost tribal-like drum beat, Courtney Swain's delicate yet intense vocals float over the top, creating a mood that feels much like Shakespeare's Tempest...and when it hits you--squarely in the forehead--you saw it coming and gladly took the blows.  Bent Knee picked up where they left off; already I feel as though this may be the freshest new sound of 2017.



Next serving from this exotic feast has a jazzy, almost retro feel to it, "Belly Side Up."  This is the type of song that sounds like an oldie the first time you hear it; you get a sense of nostalgia but at the same time you feel as though you have passed through a time warp into some kind of futuristic sound enclave...nothing is recognizable yet everything is familiar.  Bent Knee took a page from Warren Zevon; the music is rampant with dazzling colors and fills the canvas with broad strokes of brightness, while the lyrics, a la "Excitable Boy," are ominous and run skew to the tempo and mood.

Bent Knee wanders the prog garden like Kaa roamed Kipling's jungle...with stealth-like agility always ready to pounce on the unsuspecting.  This album comes at you from so many different angles offering so many different views of the prog garden...and every time you come back for a fresh listen something marvelous and energetic graces your auditory canals.

Liner Notes...Bent Knee is Courtney Swain, Ben Levin, Chris Baum, Jessica Kion, Gavin
Wallace-Ailsworth, and Vince Welch.  The hats they wear are listed in my previous reviews of the band; tonight the focus is simply the music.  Bent Knee originated in Boston, MA when Ben and Vince met in 2005 before attending Berklee.  The rest, as the saying goes, is prog magic.

The band has been busy of late; touring in support of and and celebrating the release of "Land Animal" while keeping everyone updated via Instagram and Twitter.  Bent Knee is rising in the prog world, yet remain well-grounded in the prog garden.  Staying connected with their fans and playing venues that allow them to be as immersed in the crowd as the crowd is in their performance.  Bent Knee isn't a throwback--but they do recall for me a time when prog music was raw, energetic, tangible, and thought-provoking.  This is the music you always knew was buried among the racks in your favorite music store.

One more song to cue up for review; "Insides In."  The cut opens like a dark fairy tale...you sense something hidden from view and are determined to find it.  The subtle drumming and delicate guitar work belie deep lyrics that slice through your thought process like a scythe clearing a wheat field.  Did I mention the storm clouds?  Leading the listener on a dark cavernous journey you never saw coming, intense piano accompanies ominous violin and a resounding drum echoing like painted memories that fade but never fall away...



Purchase "Land Animal" and the rest of the Bent Knee catalog at Bent Knee Music; tour dates and other information can be found there as well.  You will even find their music and merchandise at
Bent Knee BandcampBent Knee iTunes and Bent Knee Googleplay.  You can follow the band on Facebook at Bent Knee FB, Instagram Bent Knee Instagram, and Twitter @bentkneemusic.  Build your collection and make that purchase!  This is music to be savored and appreciated...

This week I go against my own preaching and offer a clip from the new album below.  This piece is called "Holy Ghost" and gives a bit of a glimpse behind the veil that envelopes a band dripping with creativity, vision, and daring...step through and hold on...



That was a bold adventure and I hope you enjoyed it fellow progheads.  Bent Knee is steadily gaining attention and notoriety in the prog garden and everywhere they perform.  Finally a band that accepts the challenge and walks the walk; making every album a new adventure and every song etched into the vinyl an entity unto itself.  Bent Knee is prog music listened to and viewed through an entirely different prism...you need to catch a glimpse for yourself and relish the moment...

...and once again the search for all things prog moves forward.  Meandering through the garden has led to some amazing discoveries, and Bent Knee has been a favorite since I first discovered them last spring.  Allow yourself to be swallowed up by the music, swept away by the sound, and engulfed in endless possibilities...until next time...

Tuesday, June 20, 2017

"Hard Chargin'" with Dreadnaught

Enjoying the heat fellow progheads?  It only gets hotter this week as the search for all things prog takes a bootlegger's turn and makes a fast and furious run through the raucous, disheveled, loud thumpin' section of the prog garden!  Seeing as how summer makes her official entry into 2017 less than 24 hours from now, I thought it only fitting to cruise back to Portsmouth, NH and spend some time proggin' with Dreadnaught...who coincidentally just released their latest album, "Hard Chargin'" last week.



Dreadnaught is the type of prog band that forces you to think long and hard about why you like prog in the first place; they refuse to follow any rules--written or unwritten--that attempt to define the genre.  This is a band that has a simple mission statement: "Listen and Enjoy."  Being self described as "Zappa meets Yes at Willie Nelson's BBQ" should give you a general idea of where the stress level is within the band.  Time to plunge headlong into the music and marinate  a bit...

The first cut on the album is aptly titled "Have A Drink With Dreadnaught" and it leaps through the headphones like a corvette maneuvering a double "S" curve on Mount Everest.  The mood is fast and loose as the band primes your ears and mind for a wild romp through many sections of the prog garden.  Dreadnaught are masters of their craft without all the stuffy hobnobbery...you remember the kid in physics class with the faded Yes T-shirt that always aced the exam?  Well, he started a prog band...

Moving the stylus deeper across the vinyl, I find another interesting nugget; "Gets The Grease."  I am immediately taken to a smoke filled jazz lounge as a piano/sax duet open the piece.  I search the room for the Wurlitzer from which the music is emitting...but alas all I see is the old Victrola...Dreadnaught has an uncanny ability to leap across the prog garden with giant steps yet they are as fleet afoot as a butterfly in a meadow, flitting from song to song as they lead you on a prog journey exploding with sounds, emotions, and exhilaration.

Liner Notes...Dreadnaught is Bob Lord on bass, Justin Walton on guitar,  and Rick Habib sitting behind the drum kit.  A musical trio as diverse and unafraid as a Vietnamese restaurant in Macon GA, Dreadnaught changes tempo, mood, and time signatures much the way Imelda Marcos used to change shoes.  Hailing originally from Portsmouth NH, they have traveled the planet for over twenty years, putting on exhibitions as opposed to mere concerts or shows.  Nothing is simplistic yet everything is fun. Additional musicians on this album include Chris Dow on flute, Andy Happel on violin, and Jonathan Wyman ripping a solo on "That's The Way That You Do It (Your Way)."

Don't be fooled or lulled into a false sense of incoherence; Dreadnaught is comprised of serious musicians who are merely unable and unwilling to take themselves too seriously.  You may not catch yourself singing along, but you will notice an inability to avoid tapping on the dashboard, playing air guitar, or just moving with the beat.  If only Dreadnaught would tour with Adrian Belew; now that would light up the prog garden...



You can purchase "Hard Chargin'" at the band's website Dreadnaught, their record label Red Fez Records' website Red Fez Records, and Dreadnaught's Bandcamp website Dreadnaught BC.  Most of the Dreadnaught library is available on all sites and I implore you to check it out.  You will also find Dreadnaught on iTunes and Amazon. Find out more about Dreadnaught on Facebook at Dreadnaught FB  and try keeping up with them on Twitter @dnaughtmusic .  This is the music your parents warned you about, only to discover that they themselves enjoy the stripped down straightforwardness Dreadnaught invokes with every tune.

One last song for review and it is another dandy; "Express Delight."  This piece sets up camp in the metal section of the prog garden and refuses to play nice.  I pick up strong aromatics of The Sex Pistols and The Clash having a reverb contest as the song opens...and then top notes of Traffic begin to float across the top as mayhem takes a backseat to fine tuning.  Dreadnaught seems to enjoy playing with your senses; all that is missing is the carnival ride through a haunted house with strobe lights wailing to bring this to a rolling boil, and that is the point.  Dreadnaught doesn't want to explode all over the room--the full simmer that keeps your attention is the real fun.



Another review for the prog faithful reaches the end of the disc.  As has become my custom with album reviews, no clip to seduce your listening sensors; 'tis better to purchase the entire album and enjoy within the confines of your home, office, car, boat, backyard, or anywhere you feel the urge to let loose the prog garden magic.

And once again we reach the end of the post...for now.  Dreadnaught was the frozen margarita required to kick the summer prog season into overdrive.  There is so much more new music, great bands, and as yet undiscovered artists lurking throughout the prog garden just waiting for discovery.  Of course I am only too happy to oblige and keep the search for all things prog going full throttle.  In the meantime please enjoy Dreadnaught and all the artists you have discovered here in The Closet Concert Arena.  Until next time...

Tuesday, June 6, 2017

Malcolm Galloway "Social Astronomy"

Good morning/afternoon/evening fellow progheads!  These past two weeks with Inside Out Music was nothing short of stellar as the search for all things prog brought you two fantastic new releases from the prog garden.  This week The Concert Closet hosts something a bit different--as is my modus operandi for those new to the Closet Concert Arena.

Malcolm Galloway has graced the the Concert Closet previously...February 2016 to refresh your memory.  Malcolm is the founding force behind Hat's Off Gentlemen It's Adequate; more than just a thinking person's prog band, they have the distinction of possessing the longest band name in the prog garden.  Malcolm is constantly evolving the band and taking bold steps with his music which is but one reason I find myself being drawn to this flame.  Malcolm's latest solo release is called "Social Astronomy" and resides in the minimalist section of the prog garden.  Minimalist interpretation of music and sound has always been intriguing to me; a section of the prog garden where I can find solace and relief from all the skulduggery of the working world...



"Social Astronomy" is a 76 minute piece of music that develops as it plays, musical patterns building on themselves and painting a picture that is as delicate as it is intricate.  Much like Philip Glass, Steven Reich, and Brian Eno, Malcolm takes the listener on a journey that looks at music and its creation through an entirely different lens.  There is even a sense of Abstract Aprils and Bang On A Can filtering through the headphones...

The album is but a 76 minute plus track moving through sound and building a mood much the way Robert Fripp took the listener on bold adventures during his Frippertronics days.  At the time there was nothing in the prog garden to hold up as a comparison or starting point to relate to; Fripp was venturing into new and uncharted territory.  So too, Malcolm is carving his own trail through the prog garden and "Social Astronomy" is merely a continuation of that trajectory.  While comparing Malcolm's solo work to his musical output with Hat's Off Gentlemen It's Adequate may not be exactly an apples-to-apples comparison, there are striking similarities. Malcolm seems to enjoy tinkering on the logical side of the garden...deconstructing sound as it were and following a different set of instructions to rebuild it in such a way as to lead you on a journey through a crystalline kaleidoscope..mysterious at first but quite remarkable in its simplicity.


This is music for those who want more from their music; nothing here is ever going to make airplay on mainstream radio.  Of course if we are honest and radio sounds are what we chase all the time there would be  no point in traipsing through the prog garden in the first place.  If you are a fan of soundscapes and enjoy music that does not force you to sort through lyrics, wait for the bridge to come around, or keep a steady 4/4 beat, Malcolm Galloway may be a soothing balm for your ears.

Malcolm's music can be found at Malcolm Galloway CD Baby and Hats Off Gentlemen.  He as well as his band also have Facebook pages at Malcolm FB and Hats Off Gentlemen FB, and the proverbial Twitter @itsadequate.  You know how I feel about supporting the artists here in the prog garden, so I will refrain from ranting--if you promise to make a purchase.

The search for all things prog continues to go off on different tangents each week, exposing more music to the loyal prog faithful.  I believe it is important to shine a light on artists, bands, and music that might otherwise be overlooked for no other reason than the arena is crowded.  Both Malcolm's solo work and his music with Hats Off Gentlemen It's Adequate are excellent additions to the prog garden and, while similar, occupy their own acreage. Flying solo Malcolm tends to be more"cranial" while within the confines of a band he flexes and pushes the prog paradigm.  

To say "Social Astronomy" is the thinking man's prog is to sell both the artist and the listener short.  Yes the music tends to bore deeper into the mind, but it does so in a genteel, refined way.  Malcolm challenges the listener to expect more from the music he/she chooses and offers an alternative that drops the gauntlet with a friendly grin.  To accept the dare is to step out of one's routine and into a dimension that is both provocative and encompassing--without being the condescending prude.

The search for all things prog continues to peel away layers of the genre, exposing a multitude of moods, experiences, and styles.  I hope you enjoy...until next week...

Tuesday, May 23, 2017

Will Geraldo "Even A Blind Fool Can See"

Warm weather greetings fellow progheads!  My sweaty fingers are sticking to the laptop keys; summer's just about here!  The heat brings out some interesting growth in the prog garden and thus far the blooms are many and varied.  This week the Closet Concert pays a visit to my friend Will Geraldo.  Those of you with a good memory may remember Will was featured in an interview last July discussing his many styles, bands, and influences in the prog garden.  Will has recently released a new EP, "Even A Blind Fool Can See" on the Progressive Gears label.

I have not taken the search for all things prog to Brazil in a while...and the time seems right to make that journey now.  Will wears many hats and has his hands in multiple prog bands; Violent Attitude If Noticed, The Opposite Of Hate, and Death By Visitation of God.  He also has other solo work, but for the next fortnight I am focusing my listening skills on Will's newest release.  "Even A Blind Fool Can See" is a two-song EP so me thinks I will be hitting replay quite a bit...


The title track is the lead-in and a dark, somewhat sultry mood begins to seep through the headphones.  I have been listening to the many sides of Will Geraldo for some time, and I can feel the emotions dripping like honey on a hot biscuit...rolling down the sides and pooling, allowing you to savor the moment a bit longer.    The opening piano, while menacing, seems to be a warning to us all about the danger of turning a blind eye.  The pulsing bass that hits like a determined heartbeat echoes through your head like a deafening silence.  The guitar hits you so delicately you almost miss it...like the warm breeze and bright sunshine that follow a summer tornado...your focus is elsewhere, but you can't help but notice the surroundings.

If there is a message flowing through this song--and I believe there is--it is one of determined triumph rather than aimless hope.  People can no longer sit back and wish for things to turn out right; there is too much at stake.  Will seems to be hitting us over the head with the obvious; step into the arena and be an active part of the solution.  

Following this piece with a cover of Peter Gabriel's "Red Rain" is about as subtle as a twelve car pile-up on the interstate.  Cover songs have long been a conundrum to me; is the artist paying homage to the original, a la Deep Purple with "Kentucky Woman," or is he/she re-inventing the song and thereby owning it as the Talking Heads did with "Take Me To The River."?  With this production Will walks that fine line as he seems to pay homage to Peter's forceful call to action while at the same time bringing a re-invigorated sense of urgency with his cutting vocals and not-so-subtle percussion work.


Liner Notes...Will Geraldo hails from Brazil and is the arranger, composer, producer, and performer on this EP.  Will told me music is his lifeline and he stays constantly involved, trying  in some way to bring his passion to the listener.  That being the case, "Even A Blind Fool Can See" is Will's current soapbox and he has placed it in the middle of the road and refuses to move aside.

There is so much energy leaping from this EP...so many raw nerves Will has exposed with the intention of forcing you to look and react.  This release is a reflection of the world today; vitriol, anger, fear, and frustration on both sides of what has become an almost unbearable argument--and the time is now to bring it to an end.  No matter your feelings one way or the other, basic human decency has been ripped from the norms of society and replaced with threats and violence.  Will has drawn a line in the sand and said enough!  Talk and compassion must replace intolerance and fisticuffs.

With this release Will Geraldo brings a relevance and accountability to the prog garden the way U2 did with their music in the 80's and 90's.  We can--no; we must choose a side and take a stand. Music has been a catalyst for change since I can remember, and the torch is being handed to the next generation. Much the way Buffalo Springfield took it to the streets in 1966 with "For What It's Worth," so too has Will Geraldo called upon the people to put aside the rhetoric and be the change this world needs.

Alas fellow progheads, no clip this week...a two-song EP with this much fervor needs to be purchased!  You can do exactly that and learn more about Will and all the artists on the Progressive Gears label at Progressive Gears Records and the Bandcamp website Will Geraldo BC.  Will can also be found on Facebook Will Geraldo FB and Twitter @Willgeraldo.

Another fortnight come and gone and the prog garden continues to flourish.  The search for all things prog has taken me many places, introduced me to many bands and artists, and has been an absolute thrill these past few years.  To hear the message Will Geraldo is sending through his music is just one more reason to sit back and soak in all the prog garden has to offer.  As I take the Closet Concert Arena on a new journey in the search for all things prog I ask you to listen to the message, purchase the EP, and get involved...until next time...

Tuesday, May 9, 2017

Nad Sylvan "The Bride Said No"

Greetings once again fellow progheads!  I trust your experience last week with Rikard Sjoblom and Gungfly was a pleasant one; at the very least you were pushed to the superb side of the pleasure meter, no?  This week I anticipate another triumph of exuberance as Inside Out Records has again asked me to review a new release from their stable of prog masters.  "The Bride Said No"  is the latest from Nad Sylvan and will be available for your purchase May 26th.



Although Nad has had quite a storied career, he is probably best known as the lead singer for Steve Hackett on his Genesis Revisited II album and subsequent tour.  Nad has a remarkable resume that includes time with Agents of Mercy, Unifaun, and some impressive solo work.  However; being asked by Steve Hackett to perform with Genesis Revisited brought Nad and his talents to the forefront, bringing much deserved credit and attention.  "The Bride Said No" is a concept album that picks up where 2015's "Courting the Widow" left off.  So off to the business of reviewing we go...

The album is very ornate and gothic; the heavy keyboards and penetrating guitar work are reminiscent of (ironically) early Genesis.  Nad painted a rather dark piece in 2015 with "Courting the Widow"...a tale that delves into the ominous world of the vampiric and otherworldly.  With "The Bride Said No" Nad takes the story further, goes deeper, and gets more extravagant.

My first cut for review, "The White Crown," leaps immediately into a more medieval time; almost as if a music box is opened and a sinister ballerina dressed in black pirouettes her way through your head.  The keyboards are entwined with guitars throughout as they flow eerily through your auditory canals, ultimately rolling down your spine.  You can smell the burning wax from the candelabra and sense an aura of uncertainty as the vocals echo on...a very graphic piece indeed...



Next up on this gaudy buffet is "A French Kiss in an Italian Cafe."  The darkness here is rather mysterious...nothing to worry about but the intrigue is palpable.  Nad's vocals are haunting as the canvas is filled slowly and deliberately with a dark portrait of emotions that erupt as quickly as they flame out.  The saxophone cuts right through your senses as the song winds down...you are standing in a jazz filled nightclub wondering what just happened--and how long before it rolls back around...

Liner Notes...Nad has built a storied career and continues to stretch his abilities and grow.  While spending much of his time in the classic, standard-bearing section of the prog garden, Nad has reached across many sections, touching down and laying roots in the eclectic, ornate, classic, and jazz-fused acreage as well.

This new album has quite an ensemble; in addition to Nad on lead vocals, guitars, piano, keyboards, and acoustic guitar, the star-studded line-up includes Steve Hackett, Roine Stolt, and Guthrie Govan on guitar, Tony Levin on Chapman stick, electric and upright bass, Jonas Reingold on bass, Doane Perry on drums, and Nick D'Virgilio on drums and percussion.  The studio gets more crowded with Jade Ell, Tania Doko, and Sheona Urquhart on vocals.  Sheona lays down that incredible sax solo on "French Kiss" for those keeping score.  Alfons Karabuda is on water phone,  Anders Wollbeck plays additional keys and with Nad is credited for programming, orchestration sound design.

Suffice to say a lot of planning, producing, and orchestrating went into this album , and a lot of
A-Listers in the prog world left their mark on it.  This is an album you will want to have in your prog collection...just be careful with that candelabra...

The album is scheduled for release May 26th at the Inside Out Music website Insideout Music.
Pre-orders are also available now at iTunes and Amazon.  Nad can be found on Facebook at
Nad Sylvan FB and you can keep up with him on tour and in the studio on Twitter @SylvanOfficial.

The final course for this extravaganza is the title cut; quite a standout in its own right.  More sanguine than the previous cuts, "The Bride Said No" smacks you like a jilted lover.  Nad's vocal duet with Tania is absolutely perfect; the emotions rise up like an over zealous souffle.  Guitars and keyboards once again keep the tempo leaping across the mood meter like a house cat toying with a cornered mouse...calculating, stalking, and finally leaping through the headphones victorious and satisfied.  As the song reaches its climax, you sense that perhaps the bride has too...

Posted below is an early release of the first single from the album, "The Quartermaster."  Almost a dreamscape as the music draws back the curtain...and the madness begins.  Nad isn't a breath of fresh air--he is a gust of wind.  His approach is counter to most; what would come off as trite or "plastic" by some leaps from the canvas as bold and refreshing as a frozen margarita in July in Nad's world. The prog garden bursts with energy as piano and drums walk in lock step across the inner lining of your skull, goaded on by guitars that penetrate deep...of course the song ends as abruptly as a dirty joke in Sunday School, but that's part of the wizardry as the master spins his web of illusion...



So fellow progheads, I urge you to purchase this latest release from Inside Out Music.  Nad Sylvan has leapt forth from the dark shadows of the prog garden with an ominous concept album that simmers with a deliberate tension just below the surface...and bursts through the headphones like a levee letting loose the flood.

Nad Sylvan bring a force to the prog garden with a voice that rises to the challenge presented by a strong supporting cast of guitars, keyboards, and drums.  The ensemble behind the curtain is impressive in and of itself; the raw energy everyone brought to the studio when laying these tracks down is evident throughout.  This is an album you won't play just once; it will stay in the CD carousel as you assemble other discs worthy to accompany it and set the tone for your listening pleasure--and your imagination.

Of course, now is the time the search for all things prog pulls up stakes and continues on.  Inside Out Music has an impressive line-up of artists and bands and the prog garden is the perfect place for them to mature.  The Concert Closet continues the journey so you can sit back and enjoy...until next time...

Tuesday, May 2, 2017

Rikard Sjoblom's Gungfly "On Her Journey To The Sun"

Fellow progheads, thank you for continuing to come back to the Closet Concert Arena!  This week yet another gem is preparing to emerge from the prog garden; I am privileged to have been asked by Inside Out Records to review the latest release from Rikard Sjoblom's Gungfly.  The band's latest release, "On Her Journey To The Sun" is a limited edition double CD and scheduled for release May 19th.



Learning of the demise of Beardfish was a bitter pill, but from those ashes Rikard has brought forth another stellar prog band taking up residence in the eclectic, free-spirited section of the prog garden. Let us then take the search for all things prog to Sweden and immerse ourselves in the diverse sounds of Rikard Sjoblom's Gungfly.      

My first selection walks a tightrope as it balances a jazzy nightclub sound with earthy overtones, "Old Demons Die Hard."  There are creamy smooth top notes of The Style Council blending with the avant-garde mindset of Frank Zappa on this cut.  Rikard walks you down what is at first perceived as a familiar path only to swerve left, veering into a section of the garden where the temperament tends to fluctuate from upbeat to offbeat.  Gungfly paints using a varied pallet and soft brushes, floating across the canvas like pulled sugar strung in a candy shop.

Digging into a second helping, I am taken by the depth of "The River of Sadness."  The music flows from a calliope-like giddiness to the throes of a melancholy journey across a life beset with unanticipated strife...but all the while there is an air of ease and confidence that belies the title.  An upbeat mood weaves its way through the entire piece, creating a protective aura much like a mother lion guarding her cubs.  Rikard  toys with your emotions as he sails deeper down the river...

Liner Notes...Rikard is originally from Gavle, Sweden and started on his musical journey at the age of five. Fast forward--if that's possible--through a career that spans several bands, band mates, line-up changes past and present, and thus we reach the culmination that is  Gungfly.  In addition to Rikard Sjoblom playing guitars, keyboards, and singing lead vocals,  Gungfly consists of David Zackrisson on guitar, Rasmus Diamant on bass, Sverker Magnusson and Martin Borgh on keyboards, and Petter Diamant on drums.



Rikard performed and wrote with Beardfish and Gungfly simultaneously, at first using Gungfly as an outlet for music which didn't quite within the vast parameters of the Beardfish section of the prog garden...although Beardfish tilled acreage across such a vast expanse of the garden it is difficult to imagine much they would not dabble in...

My third serving from what truly is a remarkable spread this week is "Polymixia," an eleven-minute escape from all that is wrong with the world.  The song opens as if I have stumbled into a third dimension jam session; Rikard makes use of the keyboards and then some on this piece as he waltzes through your mind pinball-like...lights flashing, score climbing, and your mind just this side of "tilt." The other side of my eyelids are exploding with an array of color Crayola was not able to fit into their box of 64...you are left not so much breathless as awed.

The album is scheduled for release on Inside Out Music May 19th and pre-orders are available at
Rikard Sjoblom Gungfly and InsideOut Music.  You can follow Rikard on Facebook as well at
Rikard Sjoblom FB.  For serious fans you can keep up with Rikard, Gungfly, and all the bands and their newest/latest releases on the  Inside Out Music label on Twitter @InsideOutUSA.

To motivate you just a bit and get you in that "gotta buy the music" mood, I offer you the title cut below.  This is Rikard being Rikard; relaxed and pouring out his personal and emotional best while you get to sit back, relax, and enjoy.  When the last of the 2017 sand falls through the hourglass and the inevitable "best of" lists are written, compiled, argued over, and dissected, this is one album that should make most lists and cause the least fights...


One more week spent in the prog garden is one more week of pure bliss, and spending it listening to Gungfly made it all the better.  Rikard Sjoblom does not miss a step; his mental agility and acute insight into the inner workings of the mind make "On Her Journey To The Sun" all the more hypnotic.  This is an album that needs to breathe...and once unleashed will fill your headphones--and the room--with a plethora of sights and sounds.

Inside Out Music has more new prog releases on the horizon, so the journey continues...the  search for all things prog just got more adventurous...until next time...