Tuesday, October 2, 2018

OH. "Metallia"

October is here fellow progheads, so pile into The Closet Concert Arena as we take the search for all things prog up a notch (or two) and head into the home stretch of 2018!  This week the journey circles back around to Greece to check in with a prog metal artist that has been attracting serious attention in the prog garden.  Said garden is under-represented by women so when I hear of one tilling acreage in the metal section...well, that is a siren I cannot ignore...and welcome to the world of OH.



Finding it easier to simply use her initials, OH. is in actuality Olivia Hadjiioannou, a one-woman prog metal force.  Her latest album, "Metallia," was released in July so I guess it's been marinating long enough; let's have a listen...

The opener to this metal feast is a powerful piece called "Red Lion."  The song opens with a quick acoustic burst that leads the listener into a fierce encounter with Olivia and her shredding abilities...I do believe John Petrucci would admire her stylings.  With top notes of Dream Theater and the intensity of Liquid Tension Experiment, Olivia takes the listener on a dark yet vivid journey that intersects the mind of Edgar Allen Poe and the imagination of Stephen Gammell.  This is going to be a wild, blustery week indeed...

Moving across the disc I find another fiery blast, "Androgyny."  An angelic, church choir-like opening belies a metal storm waiting behind the curtain.  OH comes at you full force, filling your head with guitar riffs that tie themselves around a searing vocal, penetrating deep into your cranium.  The solid drum work solidifies what is already a cement foundation, allowing the guitar to echo back and run circles in your mind...until she cuts out.  The song ends abruptly and you get a minute to catch your breath...

Liner Notes...calling Athens, Greece home, "Metallia" is the seventh release by Olivia Hadjiioannou.  Her debut EP "Sleeping World" hit the streets in 2013 and a full-length LP "Synemotion" came out in 2015.  Add four ballad singles and she has put together an impressive resume thus far.  OH. stays busy in the recording studio playing guitar, violin, bass, and drums...and she lays down the vocal tracks.

OH is a hybrid of sorts; I detect aromatics of Steve Vai, John Petrucci, and Joe Satriani in her guitar playing, blended with Kate Bush and Anneke Van Giesbergen in style and range.  OH. doesn't just dabble in the metal section of the prog garden--she takes up full residence.

Learn more about OH. and purchase her music by visiting  her website  Olitunes and also at  olitunes.bandcamp.  Of course she has Facebook and Twitter @olitunes  for you to keep up with all things OH, and a YouTube channel  olitunes YouTube  allows an aural glimpse behind the curtain.

Last song to tear through my headphones this week is "Resurrection."  This cut opens with strong drum work that is quickly overrun with Olivia's explosive guitar.  She may wear many hats as an artist, but guitar seems to be her first love--and she remains loyal to her first love.  OH. is a refreshing kick in the cerebellum, her thumping guitar taking aim via your auditory sensors.  The music unfolds as a cacophony of searing sound, finally coming to rest with the drums and guitar battling for supremacy and crashing to a halt.

The sound explosion I chose to placate your metal fix this week is "Triumph." OH. runs right at you here, wielding her guitar like Thor's hammer.  The vocals hearken to being caught in a sound warp where everything comes at you in short fiery bursts.  Olivia hits the canvas with some of the brightest dark color scapes the metal section of the prog garden has to offer; think Peter Marx with a gothic bent...play it loud, but keep away from open flames...


                     

Another week winds down to a screeching implosion fellow progheads.  The prog garden has been set ablaze these past seven days by OH.  We stand in a vast musical playground with enough acreage to satisfy  the many different tastes of the prog genre.  I admit to not spending much time hunkered down in the "barbed wire" area of the garden, but when I do I am reminded as to why prog music is so all encompassing.

As is the norm, the journey continues on as the search for all things prog makes its way through the final turn toward the horizon in the road race that is 2018...until next time...

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